jueves, 21 de junio de 2012

San Diego comic convention 12-15 July 2012 / Convención de Comic de San Diego 12-15 julio 2012 / Banda deseñada en San Diego 2012

Link San Diego Comic Con International 2012: http://www.comic-con.org/cci/

Programación: http://www.comic-con.org/cci2011/cci_prog.php


La Convención de San Diego de Comic del 2013 se celebrará entre el 18 y 21 de julio del 2013


Premios Eisner 2012

Will Eisner Comic Industry Award Winners 2012

The following awards were given out at the 24th annual Will Eisner Comic Industry Awards, Friday night July 13, at the Indigo Ballroom in the Hilton San Diego Bayfront Hotel, as part of Comic-Con International: San Diego.

Best Short Story
"The Seventh," by Darwyn Cooke, in Richard Stark's Parker: The Martini Edition (IDW)

Best Single Issue (or One-Shot)
Daredevil #7, by Mark Waid, Paolo Rivera, and Joe Rivera (Marvel)

Best Continuing Series
Daredevil, by Mark Waid, Marcos Martin, Paolo Rivera, and Joe Rivera (Marvel)

Best Limited Series
Criminal: The Last of the Innocent, by Ed Brubaker and Sean Phillips (Marvel Icon)

Best Publication for Early Readers (up to age 7)
Dragon Puncher Island, by James Kochalka (Top Shelf)

Best Publication for Kids (ages 8–12)
Snarked, by Roger Langridge (kaboom!)

Best Publication for Young Adults (Ages 12–17)
Anya's Ghost, by Vera Brosgol (First Second)

Best Anthology
Dark Horse Presents, edited by Mike Richardson (Dark Horse)

Best Humor Publication
Milk & Cheese: Dairy Products Gone Bad, by Evan Dorkin (Dark Horse Books)

Best Digital Comic
Battlepug, by Mike Norton, www.battlepug.com

Best Reality-Based Work
Green River Killer: A True Detective Story, by Jeff Jensen and Jonathan Case (Dark Horse Books)

Best Graphic Album - New
Jim Hensons Tale of Sand, adapted by Ramón K. Pérez (Archaia)

Best Graphic Album - Reprint
Richard Stark's Parker: The Martini Edition, by Darwyn Cooke (IDW)

Best Archival Collection/Project - Comic Strips
Walt Disney's Mickey Mouse vols. 1-2, by Floyd Gottfredson, edited by David Gerstein and Gary Groth (Fantagraphics)

Best Archival Collection/Project - Comic Books
Walt Simonson's The Mighty Thor Artist's Edition (IDW)

Best U.S. Edition of International Material
The Manara Library, vol. 1: Indian Summer and Other Stories, by Milo Manara with Hugo Pratt (Dark Horse Books)

Best U.S. Edition of International Material - Asia
Onward Towards Our Noble Deaths, by Shigeru Mizuki (Drawn & Quarterly)

Best Writer
Mark Waid, Irredeemable, Incorruptible (BOOM!); Daredevil (Marvel)

Best Writer/Artist
Craig Thompson, Habibi (Pantheon)

Best Penciller/Inker or Penciller/Inker Team
Ramón K. Pérez, Jim Henson's Tale of Sand (Archaia)

Best Cover Artist
Francesco Francavilla, Black Panther (Marvel); Lone Ranger, Lone Ranger/Zorro, Dark Shadows, Warlord of Mars (Dynamite); Archie Meets Kiss (Archie)

Best Coloring
Laura Allred, iZombie (Vertigo/DC); Madman All-New Giant-Size Super-Ginchy Special (Image)

Best Lettering
Stan Sakai, Usagi Yojimbo (Dark Horse)

Best Comics-Related Journalism
The Comics Reporter, produced by Tom Spurgeon, www.comicsreporter.com

Best Educational/Academic Work (tie)
Cartooning: Philosophy & Practice, by Ivan Brunetti (Yale University Press)
Hand of Fire: The Comics Art of Jack Kirby, by Charles Hatfield (University Press of Mississippi)

Best Comics-Related Book
MetaMaus, by Art Spiegelman (Pantheon)

Best Publication Design
Jim Henson's Tale of Sand, designed by Eric Skillman (Archaia)

Hall of Fame
Judges' Choices: Rudolf Dirks, Harry Lucey
Bill Blackbeard, Richard Corben, Katsuhiro Otomo, Gilbert Shelton

Russ Manning Promising Newcomer Award:
Tyler Crook

Bob Clampett Humanitarian Award:
Morrie Turner

Bill Finger Excellence in Comic Book Writing Award:
Frank Doyle, Steve Skeates

Will Eisner Spirit of Comics Retailer Award:
Akira Comics, Madrid, Spain - Jesus Marugan Escobar and
The Dragon, Guelph, ON, Canada - Jennifer Haines

The Eisner Awards are part of, and underwritten by, Comic-Con International, a nonprofit educational organization dedicated to creating awareness of and appreciation for comics and related popular art forms, primarily through the presentation of conventions and events that celebrate the historic and ongoing contributions of comics to art and culture.




INVITADOS ESPECIALES

JUST ADDED! Dan Piraro, Gilbert Shelton!





Charlie Adlard Photo: Olivier Roller

Charlie Adlard

artist, The Walking Dead

Charlie Adlard has been roaming with the zombies of The Walking Dead since issue #7 in 2004. Born in Shrewsbury, England in 1966, Charlie began working in the industry as an artist on series such as "Judge Dredd" and "Armitage" for 2000AD. In the U.S., his work includes a long run on The X-Files for Topps Comics, art on Astronauts in Trouble for AiT/Planet Lar, and work for DC, Marvel, and Image. He is best known for his art on The Walking Dead, Robert Kirkman's groundbreaking zombie apocalypse series, which is also a smash hit TV show on AMC.





Bill Amend

Bill Amend

cartoonist, FoxTrot

Bill Amend is the creator of the comic strip FoxTrot, syndicated by Universal Press Syndicate. He earned a BA in physics from Amherst College in 1984. FoxTrot began syndication in 1988 and built a client list of more than 1,000 daily and Sunday newspapers before Amend switched the strip to a Sunday-only format at the end of 2006. In 2007 Bill received the Reuben Award for Cartoonist of the Year from the National Cartoonists Society. There are currently 39 FoxTrot book collections in print. FoxTrot can be seen online at http://www.foxtrot.com/.





Sergio Aragonés

Sergio Aragonés

cartoonist, Groo, MAD, Sergio Aragonés Funnies

One of MAD magazine's longest-running cartoonists (only Al Jaffee has been around longer) and the creator of dim-witted barbarian Groo the Wanderer, Sergio Aragonés is one of comics' most popular creators. Most recently, the man some call the world's fastest cartoonist launched his own monthly comic book series at Bongo Comics, Sergio Aragonés Funnies.





Tom Batiuk

Tom Batiuk

cartoonist, Funky Winkerbean, Crankshaft

Tom Batiuk is the creator of the syndicated comic strips Funky Winkerbean (which celebrates its 40th anniversary this year) and Crankshaft. Tom started Funky in 1972, and since his first groundbreaking story in 1986 about the teenage pregnancy of his character Lisa, he has been hailed as an originator of a new genre in comic strip art. His unique style of "narrative humor" allows him to explore major social issues. Tom employs a gentle humor found in mining the common experiences of everyday life to push the envelope in his exploration of all that the comic art medium can express.





Kate Beaton

Kate Beaton

cartoonist, Hark! A Vagrant!

Kate Beaton is a Canadian cartoonist who first appeared on the comics scene in 2007 with her online series Hark! A Vagrant!, which has been collected into book form by Drawn and Quarterly. Since then she has become a fan favorite, with illustrations appearing in places like The New Yorker, Harper's, and Marvel's Strange Tales anthology. Praised for their expression, intelligence, and comic timing, her cartoons often display a wonderfully light touch on historical and literary topics. The jokes are a knowing look at history through a modern perspective and a campaign against anyone who thinks that history is boring.





Alison Bechdel Photo: Ellen Seibert

Alison Bechdel

writer/artist, Fun Home, Are You My Mother

Alison Bechdel is the author of the graphic memoirs Fun Home: A Family Tragicomic (2006) and Are You My Mother: A Comic Drama (2012),both published by Houghton Mifflin Harcourt. Fun Home won an Eisner award in 2007 for Best Reality-Based Work and was named by Time magazine as the best book of 2006. Bechdel created the self-syndicated comic strip Dykes to Watch Out For, which ran for 25 years.She was the guest editor of Best American Comics 2011. Her work has appeared in Granta, Slate, The New York Times Book Review, and McSweeney's, among lots of other places. She lives in Vermont.





Tim Bradstreet

Tim Bradstreet

artist, Punisher, Hellblazer

Eisner Award–nominated artist Tim Bradstreet is a self-taught illustrator whose career spans role-playing/video games, comic books, book publishing, and film. Bradstreet is mainly known for his long tenures as cover artist for The Punisher and John Constantine: Hellblazer. He continues to be a "go-to" cover artist and is currently the series regular on Clive Barker's Hellraiser (Boom!), Jennifer Blood (Dynamite), Star Trek, and True Blood (IDW). Tim partnered with actor Thomas Jane in 2004 to form RAW Studios. Together they create and develop projects for comics and film.





Mike Carey

Mike Carey

writer, Lucifer, The Unwritten, X-Men Legacy

Best known for his runs on Vertigo's Lucifer and Marvel's X-Men Legacy, as well as the multiple New York Times bestseller The Unwritten, Mike Carey also writes prose fiction; his Felix Castor novels have run to five titles, and he is co-writing a novel, The Steel Seraglio, with his wife Linda and daughter Louise. He is also a screenwriter and is currently working on a movie screenplay, Silent War, for Slingshot and Intrepid Pictures. His games credits include the recent X-Men Destiny game for Activision.





Gail Carriger

Gail Carriger

author, Parasol Protectorate series

New York Times bestselling author Gail Carriger writes to cope with being raised in obscurity by an expatriate Brit and an incurable curmudgeon. She escaped small-town life and inadvertently acquired several degrees in higher learning and a fondness for teeny tiny hats and tropical fruit. Her Parasol Protectorate books are urban fantasies mixed with comedies of manners and steampunk. Soulless won the ALA's Alex Award. The final book in the series, Timeless, releases in spring 2012, along with the first in her Finishing School series for young adults, Etiquette & Espionage, and Yen Press's manga edition of Soulless.





Becky Cloonan

Becky Cloonan

cartoonist/illustrator, Demo, East Coast Rising, Conan

Becky Cloonan is an award-winning cartoonist and illustrator who started self-publishing minicomics in 1999. Since then she has gone on to work with Vertigo, Dark Horse, Harper Collins, and Marvel, with editions of her work published in several countries around the world. Standout works include American Virgin with writer Steve Seagle, Eisner Award–nominated Demo with Brian Wood, and her solo graphic novel East Coast Rising. She is also drawing a new Conan series from Dark Horse, with writer Brian Wood. She lives and works in Brooklyn and still tries to self-publish a new minicomic every year.





Geof Darrow

Geof Darrow

artist, Shaolin Cowboy, Big Guy and Rusty the Boy Robot

Born in Cedar Rapids, IA, artist Geof Darrow went through 12 years of Catholic schooling, which left him permanently scarred. He attended the Chicago Academy of Fine Arts for four years, and from there he worked in advertising, audio-visual, animation, and comics and at the Quaker Oats company in their maintenance department. Darrow's comics work has won him some awards over the years and lost him some. He likes to draw and is fortunate enough to get paid for it . . . most of the time. His current work includes drawing Shaolin Cowboy for Dark Horse Comics.





Ben Edlund

Ben Edlund

writer/artist/producer/director, The Tick, Angel, Supernatural

Ben Edlund grew up semi-feral in an artistic household next to a cranberry bog. One symptom of his particularly severe form of virginity was the creation of The Tick comic book series, which he began writing and drawing in his late teens. The Tick begat a cartoon, a small merchandising empire, and a prime-time live-action TV series. Edlund wrote and produced shows such as Firefly, Angel, and Supernatural. With these and his phantom contributions to other genre highlights such as Dr. Horrible's Sing-Along Blog and The Venture Bros., he's drizzled his middle-brow absurdism across three decades of high-end cult obscurity.





Steve Englehart

Steve Englehart

writer, Avengers, Dr. Strange, Batman

It was once said that Steve Englehart had "more hits with more characters at more companies than any other writer." Steve is now writing the Max August series at Tor (Long Man, Plain Man, and the upcoming Arena Man), and his comics work is still being published: the Batman film franchise is still going strong, Kilowog's everywhere, Avengers vs. Defenders just got republished again, battling Dr. Strange and Batman for the top spot, and Coyote, Scorpio Rose, and Lorelei live on with Max. So only the Ultraverse seems gone for good.





Mark Evanier

Mark Evanier

writer, producer, comics historian

Mark Evanier has worked with Jack Kirby; written hundreds of comic books, including Blackhawk, New Gods, Bugs Bunny, The DNAgents, Crossfire, Scooby Doo, and Tarzan; and written dozens of TV shows, both live-action and animated, the latter including most of the animated Garfield shows for the last 20 years. He is the author of several books on comics, including Kirby: King of Comics, which won two Harvey Awards and one Eisner. He has several other Eisners for his work with Sergio Aragonés on Groo the Wanderer and other silly comics. And he's hosted countless panels at both Comic-Con and WonderCon.





Greg Evans

Greg Evans

cartoonist, Luann

Greg Evans is the creator of the nationally syndicated comic strip Luann, which celebrated its 25th anniversary in 2010. Greg has been noted for tackling tough teen-related issues and in 2004 was awarded the National Cartoonists Society's highest honor, the Reuben for Cartoonist of the Year.





Brecht Evens

Brecht Evens

cartoonist/musician, The Wrong Place, Night Animals, The Making Of

Brecht Evens is a Belgian cartoonist, visual artist, and musician. He studied illustration in Ghent. His first graphic novel in English, The Wrong Place, received widespread acclaim and was published across Europe and North America. Itwas awarded the Prix de l'Audace at the Angoulême International Comics Festival and the Haarlem Comic Festival's Willy Vandersteen Award for best Dutch-language graphic novel. He lives in Brussels. His newest book is The Making Of.





Gary Gianni

Gary Gianni

artist/illustrator, Prince Valiant, The Monstermen

Gary Gianni began his art career as an newspaper illustrator and courtroom artist for television, where he covered the trial of murderer John Wayne Gacy. He has received the Eisner and Spectrum awards and he illustrated books by authors ranging from Melville and Stevenson to Robert E. Howard and Michael Chabon. His comics include The Shadow, Batman, Indiana Jones, and Tom Strong. For 8 years he has drawn the newspaper Sunday strip Prince Valiant. Recently, Dark Horse published Gianni's occult detective adventures, The Monstermen and Other Scary Stories, and Ras Press released The Nefertiti–Tut Express written by Ray Bradbury and illustrated by Gianni.





Stan Goldberg

Stan Goldberg

artist/colorist, Archie Comics, Marvel Comics

Stan Goldberg is best known for his work as an artist at Archie Comics for over 45 years and as a Marvel Comics colorist in the 1960s, where he helped design the original color schemes of Spider-Man, the Fantastic Four, and other major characters. Throughout the 1960s, Stan also drew Millie the Model for Marvel and Debbie, Scooter, and Binky for DC. Most recently, Stan has illustrated a Simpsons comic book and is currently working on two graphic novels, The 3 Stooges and Nancy Drew for PaperCutz. In May of 2012 Stan will receive the National Cartoonists Society's prestigious Gold Key Award, and in 1994 he won Comic-Con's Inkpot Award.





Rob Guillory

Rob Guillory

artist/co-creator, Chew

Rob Guillory is a multiple Eisner and Harvey Award–winning comic book artist. Born, raised, and currently based in Lafayette, Louisiana, Guillory is most known for his art on the New York Times bestselling series Chew, published by Image Comics. The book has won two Harvey Awards (including Best New Talent), was nominated for two Eagle Awards, and won Eisner Awards for Best New Series in 2010 and Best Continuing Series in 2011.





Larry Hama Photo by Seth Kushner

Larry Hama

writer/cartoonist, G.I. Joe, Wolverine

Larry Hama is a writer / cartoonist / illustrator / actor / musician who has worked in comics, television, and film. He is best known as the writer of Marvel's G.I. Joe comics in the '80s and Wolverine in the '90s. More recently, he has scripted G.I. Joe Origins and G.I. Joe: A Real American Hero for IDW as well as various animation and video game projects. His illustrations have appeared in National Lampoon, Esquire, New York, and Rolling Stone. As an actor, he has appeared on Broadway in Stephen Sondheim's Pacific Overtures and on TV in M*A*S*H*, SNL, and Another World.





Peter F. Hamilton

Peter F. Hamilton

author, Night’s Dawn trilogy, Great North Road

Peter F. Hamilton is a Sunday Times bestselling science fiction author of 15 books, including the acclaimed Night's Dawn trilogy. Born in Rutland, England, he still lives there with his wife and two young children. His last series of five books set in his Commonwealth universe featured the genetically designed detective Paula Myo.   After that came the standalone novel Great North Road, published by Del Rey, which he describes as his "monster in the dark" story. Peter is taking a break from adult novels to write the Books of the Realms, a trilogy aimed at 8- to 12-year-olds.





Gilbert Hernandez

Gilbert Hernandez

writer/artist, Love and Rockets

Gilbert Hernandez, the co-creator of Love and Rockets with his two brothers, was born in Oxnard, CA, seemingly with a comic book in his hand. His mother allowed him and his siblings to read comics because she loved comics as a child herself. He learned to draw his own minimalist comics at age 5, which eventually evolved into the comics he does now. He's produced comics for almost every major comics company but prefers to do more personal work, as he believes that comics are a great place for self-expression. His career spans 30 years, and he plans to go as far as he can with our beloved medium.





Jaime Hernandez

Jaime Hernandez

writer/artist, Love and Rockets

As a young aimless Latino punk rocker, Jaime Hernandez, along with his brothers Gilbert and Mario, self-published the first issue of Love and Rockets in 1981. It was picked up by Fantagraphics Books in 1982 and ran 50 issues before the brothers took a break to pursue solo projects. Jaime's titles included Whoa, Nellie!, Maggie and Hopey Color Fun, and Penny Century. Love And Rockets was revived in 2000 and still continues today. Outside of L&R, Jaime has also done other comic work, magazine illustration, and album covers. He lives in Altadena, CA with his wife and daughter.





Mario Hernandez

Mario Hernandez

writer/artist, Love and Rockets

Comics histories, newspaper strips, cartoon collections, paperbacks, trading cards, monster magazines and movies, rock and roll, cheesy TV shows and cartoons, and a whole bunch of funny books - all contributed to the launch of Mario Hernandez and his brothers Gilbert and Jaime's self-published fanzine Love and Rockets. In addition to contributing some stories to L&R, Mario has produced a plethora of freelance work for various underground and alternative anthologies - Rip-off Comics, Buzzard, Real Girl, and Measles - culminating in a one-shot collection, Brain Capers. His latest project was Citizen Rex for Dark Horse with brother Gilbert. It was included in The Best Comics of 2010 anthology.





Jennifer and Matthew Holm

Jennifer and Matthew Holm

writers/artists, Babymouse, Squish

Jennifer and Matthew Holm are the sibling team behind the Babymouse graphic novels for young readers, which have sold more than 1.4 million copies and won numerous awards, including the 2006 Gryphon award, 2006 New York Book Show awards, and seven IRA/CBC Children's Choice awards. Babymouse: Queen of the World was the first graphic novel ever to be named an ALA/ALSC Notable Children's Book. The latest volume in the series is #15, A Very Babymouse Christmas. The Holms are also the creators of the IndieBound-bestselling graphic novel series Squish. The latest book is Squish #3: The Power of the Parasite.





Klaus Janson

Klaus Janson

artist/inker, Daredevil, The Dark Knight Returns

After apprenticing with Dick Giordano, Klaus Janson entered comics in the early '70s, inking an issue of Marvel's Black Panther. He has inked just about every penciler working within the last 40 years. In the 1980s, he inked Frank Miller on Daredevil and The Dark Knight Returns. His penciling work includes Gambit, Gothic, Spawn/Batman, and Death and the Maidens. Currently, he is inking Amazing Spider-Man over Giuseppe Camoncoli and penciling Daredevil: The End of Days, written by Brian Michael Bendis and David Mack and inked by Bill Sienkiewicz. He is most proud of the students he has taught at the School of Visual Arts.





N.K. Jemisin

N.K. Jemisin

author, The Inheritance Trilogy

N. K. Jemisin is the Hugo, Nebula, and World Fantasy Award–nominated author of The Hundred Thousand Kingdoms, The Broken Kingdoms, and The Kingdom Of Gods (The Inheritance Trilogy), out now from Orbit Books. She's also a counseling psychologist, a biker, and a feminist/anti-racist blogger. She lives in Brooklyn, New York and is currently hard at work on two more books that will be forthcoming from Orbit in 2012. For more info, visit nkjemisin.com.





Lynn Johnston

Lynn Johnston

cartoonist, For Better or For Worse

Canadian cartoonist Lynn Johnston is best known for her comic strip For Better or For Worse. Her cartooning career started with a series of humorous books on parenting. In 1978, she sent off 20 examples of a daily comic strip, The Johnstons-based on her own family-to Universal Press Syndicate. She received and signed a 20-year contract, and For Better or For Worse began. The strip ended in 2010 but still appears (in reprint form) in over 2,000 papers in Canada, the United States, and 20 other countries, translated into eight languages. It's been collected into close to 40 books.





Joe Jusko

Joe Jusko

artist/illustrator, Marvel Masterpieces, Warlord of Mars

Joe Jusko's career has spanned 35 years, starting with the sale of his very first cover to Heavy Metal in 1977 at the age of 17. Joe has worked for almost every major comic book publisher, producing covers and interiors for iconic characters such as Conan the Barbarian, Vampirella, and Tarzan of the Apes. His work has appeared on paperback book covers, calendars, posters, T-shirts, packaging, and most memorably the multi-award-winning 1992 Marvel Masterpieces Trading Cards. His current work includes monthly covers for Warlord of Mars from Dynamite Entertainment and Outcast from BOOM!, as well as many other projects.





Karl Kerschl

Karl Kerschl

writer/artist, The Abominable Charles Christopher

Karl Kerschl has been drawing comics professionally for over 15 years. He has worked on Superman, The Flash, and Teen Titans, among other heroic things, and recently self-published a collection of his weekly webcomic, The Abominable Charles Christopher. He currently resides in Montréal, Canada, where he continues to write and draw his own stories. The Abominable Charles Christopher has been nominated for several awards and has won the Shuster Award for Best Canadian Webcomic in 2010 and the Eisner Award for Best Digital Comic in 2011. The strip updates weekly at http://www.abominable.cc/.





Robert Kirkman Photo: Megan Mack

Robert Kirkman

writer/co-creator, The Walking Dead, Invincible

Robert Kirkman is a New York Times bestselling author known for being the cultural zeitgeist of the comic book industry. It is Kirkman's belief that good people who produce good writing and good ideas make comics people love. Kirkman is a partner and chief operating officer at Image Comics. He is the executive producer of AMC's The Walking Dead (season two just ended with record-breaking ratings).His Skybound is an all-new imprint of Image Comics that provides a new generation of comic book creators with the opportunity to publish their original works; it includes his own Thief of Thieves, Invincible, and The Walking Dead.





Erik Larsen Photo by Luigi Novi

Erik Larsen

writer/artist/creator, Image Comics co-founder, Savage Dragon

Erik Larsen was born in Minneapolis, Minnesota. He didn't live there long. He currently lives in San Francisco, California. He's written and drawn a mess of comics over the years, among them Spider-Man, Thor, Defenders, Punisher, Nova, Aquaman, Doom Patrol, and Wolverine. In 1992 he and a group of upstarts left Marvel in the lurch and formed the greatest comic book company in the history of the universe-Image Comics, where he's written and drawn the adventures of Savage Dragon for the last 20 years. It kicks serious ass.





John Layman Photo by Eddie Choi

John Layman

writer/letterer/co-creator, Chew

John Layman is the co-creator, writer, and letterer of Chew, the New York Times bestselling, Harvey Award, and multi-Eisner Award–winning cannibal cop comedy series from Image Comics. Layman was an editor for WildStorm Productions and has written or lettered for nearly every major publisher in comics for the last decade and a half. Other comics he's written include Puffed, Gambit, Godzilla, Army of Darkness vs. Marvel Zombies, Scarface, Thundercats, and Stephen Colbert's Tek Jansen. Chew is currently in development to be a TV series on Showtime.





Jim Lee Photo by Victor Ha

Jim Lee

artist, Justlce League, Batman: Hush; DC Comics co-publisher

Jim Lee is a renowned comic book artist and the co-publisher of DC Entertainment. Prior to his current post, he served as editorial director, where he oversaw WildStorm Studios and was also the artist for many of DC Comics' bestselling comic books and graphic novels, including All Star Batman And Robin, The Boy Wonder, Batman: Hush, and Superman: For Tomorrow. He also serves as the executive creative director for the DC Universe Online (DCUO) massively multiplayer action game from Sony Online Entertainment (SOE). As part of DC Comics' The New 52, Lee is drawing Justice League.





Jeff Lemire

Jeff Lemire

writer, Animal Man, Frankenstein; writer/artist, Sweet Tooth

Jeff Lemire is the award-winning Canadian cartoonist of the acclaimed graphic novel Essex County (Top Shelf) and the comic book series Sweet Tooth from DC/Vertigo. He is also the current writer of Animal Man and Frankenstein for DC Comics and has written the monthly adventures of Superboy as well. In 2010 Essex County was named one of the five "Essential Canadian Novels" of the decade in the prestigious Canada Reads program, becoming the first graphic novel to ever be included in the national competition. Lemire's next original graphic novel, The Underwater Welder, from Top Shelf Productions, will debut at Comic-Con 2012.





Paul Levitz

Paul Levitz

writer, Legion of Super-Heroes, Huntress

Paul Levitz has been a comics fan (The Comic Reader, winner of two Best Fanzine Comic Art Fan Awards), editor (Batman), writer (Legion of Super-Heroes), and executive (38 years at DC, ending as president and publisher). He has received the Inkpot, Clampett Humanitarian, and ComicsPro Industry Appreciation awards, and he serves on the board of the Comic Book Legal Defense Fund. His Eisner Award–winning book, 75 Years of DC Comics: The Art of Modern Mythmaking, was published by TASCHEN, and his recent comics writing includes Legion of Super-Heroes and The Huntress.





Rob Liefeld Photo by Albert L. Ortega

Rob Liefeld

writer/artist/creator, Image Comics co-founder, Youngblood

Rob Liefeld's comics career began in the late 1980s at DC and was jump-started by his work at Marvel on New Mutants and X-Force in the early 1990s; while at Marvel he co-created the characters Cable with writer Louise Simonson and Deadpool with Fabian Nicieza. In 1992 he and six other popular young comics artists left Marvel and co-founded Image Comics. His work at Image has included Youngblood and the recent series The Infinite, written by Robert Kirkman. He is currently drawing Hawk and Dove for DC Comics, a title he also worked on very early in his career.





Andy Mangels

Andy Mangels

author, Star Trek and Star Wars novels, Iron Man: Beneath the Armor

Andy Mangels is a USA Today bestselling author and co-author of over 20 books, including Star Trek and Star Wars tomes; his newest is Lou Scheimer: Creating the Filmation Generation. Since 1985, his tales have been published by DC, Marvel, Dark Horse, Image, Microsoft, and others. He regularly contributes to international entertainment magazines and has scripted, directed, and produced over 40 DVD documentaries and special features projects. A national award-winning social activist, he has raised over $135,000 for domestic violence programs at the yearly "Women of Wonder Day" event. He has moderated the Gays in Comics panel at Comic-Con for 25 years!





Rudy Nebres

Rudy Nebres

artist, Conan, John Carter of Mars

Philippine-born comics artist Rudy Nebres began work with DC Comics when fellow comic artist Tony DeZuniga introduced him to publisher Carmine Infantino and editor Joe Orlando. He was given assignments drawing short stories for the DC mystery titles, including House of Secrets, Ghosts, and The Unexpected. Rudy moved to the U.S. in 1975 and was hired by Marvel Comics to work on titles such as Avengers, King Kull, Conan, Red Sonja, Hulk, John Carter of Mars, and Deadly Hands of Kung Fu. Nebres has also produced work for Warren, CrossGen, and Harris and worked with Neal Adams at Continuity Studios.





Katsuhiro Otomo

Katsuhiro Otomo

creator, Akira, Domu, Steam Boy

Japanese cartoonist and animator Katsuhiro Otomo, who made his professional debut in 1973, is best known in the U.S. for his manga series Akira, which he made into an animated film in 1988. His other manga include the award-winning Domu, along with such other series as Sayonara Nippon, Visitors, and SOS! Tokyo Metro Explorers. He has directed two other animated films, Steam Boy and Memories, along with the live-action Jiyu Wo Warerani and Mushishi. Mr. Otomo has published several books in relation to his films and is currently preparing a new illustration book, Kaba 2





Dan Piraro Courtesy Last Gasp

Dan Piraro

cartoonist, Bizarro

Cartoonist Dan Piraro's Bizarro was first syndicated in 1985 and has built a steady and loyal following in the United States, Canada, as well as in parts of Europe, Asia and South America. The daily cartoon has won an unprecedented three consecutive "Best Cartoon Panel of the Year" awards from the National Cartoonists Society and in 2010 won the NCS's highest award, "Outstanding Cartoonist of the Year." Piraro has published 16 collections of Bizarro cartoons and three books of prose. He has also performed comedy across the nation and has appeared on NPR, CNN, and HBO, and is currently negotiating a half-hour, animated comedy show for television.





Whilce Portacio

Whilce Portacio

artist, Image Comics co-founder, Uncanny X-Men, Wetworks

Whilce Portacio started in comics as an inker before launching his career as a penciler. Marvel editor Carl Potts offered him an inking job on Alien Legion after seeing his portfolio at Comic-Con in 1984. Whilce was soon recognized for his work on Marvel's Punisher, X-Factor, and Uncanny X-Men (for which he created Bishop), DC's Batman Confidential and Stormwatch, and his original creation Wetworks. He is one of the founding fathers of Image. Currently working on Hulk, Whilce will launch Non-Humans-his collaboration with film writer/creator Glen Brunswick from Image- at Comic-Con. Whilce will also resume his art school. More info: http://www.whilceportacio.net/.





Nate Powell

Nate Powell

writer/artist, Swallow Me Whole, Any Empire

Nate Powell was born in Little Rock, Arkansas in 1978 and began self-publishing at age 14. His work includes The Year of the Beasts (2012, Roaring Brook), The Silence of Our Friends (2012, First Second), Any Empire (2011, Top Shelf), Swallow Me Whole (2008, Top Shelf; Eisner Award winner for Best Graphic Novel, LA Times Book Prize Finalist, and Ignatz Award winner), Please Release (2006, Top Shelf), and Sounds of Your Name (2006, Microcosm). From 1999 to 2009, Nate worked full-time supporting adults with developmental disabilities, and he has performed in DIY punk bands Universe and Soophie Nun Squad.





James Robinson

James Robinson

writer, Starman, Justice Society of America, The Shade

James Robinson is a British-born comic book scribe and sometimes screenwriter with a career spanning more than two decades. He is currently writing The Shade and Justice Society of America for DC Comics. His prior works include Starman, Leave It to Chance, The Golden Age, Superman, and JLA.





John Romita Jr.

John Romita Jr.

artist, Amazing Spider-Man, Kick-Ass, Avengers

John Romita Jr. remembers watching his father draw Daredevil at home. It obviously had a great effect on him, as JRJR went to become one of the leading comics artists of his generation. His first work was for Marvel UK, followed by a story in Amazing Spider-Man Annual #11. He went on to illustrate just about every Marvel character, including Iron Man, Thor, Hulk, Daredevil, Punisher, the Avengers, and X-Men. His own creations include Kick-Ass (co-created with Mark Millar) and The Gray Area.





Brandon Sanderson

Brandon Sanderson

author, Elantris, Warbreaker, Wheel of Time series

Brandon Sanderson has published six solo novels with Tor Books - Elantris, the Mistborn trilogy, Warbreaker, and The Way of Kings - as well as four books in the middle-grade Alcatraz Versus the Evil Librarians series from Scholastic. He was chosen to complete Robert Jordan's Wheel of Time series: 2009's The Gathering Storm and 2010's Towers of Midnight will be followed by the final book, A Memory of Light, in 2012. His newest Mistborn novel, The Alloy of Law, was released in November. Currently living in Utah with his wife and children, Brandon teaches creative writing at Brigham Young University.





Ben Saunders

Ben Saunders

comics scholar, professor of English at the University of Oregon

Ben Saunders believes that comics make people smarter. Besides serving as curator for the Jordan Schnitzer Museum of Art's comprehensive exhibition of original comic art from the superhero genre ("Faster Than A Speeding Bullet," 2009), Ben is author of Do The Gods Wear Capes?: Spirituality, Fantasy, and Superheroes (Continuum Press, 2011) and a founder of the undergraduate minor in Comics and Cartoon Studies at the University of Oregon, where he teaches a variety of classes drawing on the Anglo-American canon of newspaper strips, comic books, and graphic novels.  





Doug Savage Photo by Tamea Burd

Doug Savage

cartoonist, Savage Chickens

When Doug Savage was a kid, he always wanted to be a cartoonist. But when he grew up, he found himself working in a corporation, starving for creativity and plagued by migraines. Luckily, this predicament drove him to pick up a pad of yellow sticky notes and start drawing chicken cartoons. Published online every weekday since 2005, Savage Chickens is read by millions and has been published in books and magazines worldwide. His book, Savage Chickens: A Survival Kit for Life in the Coop, was published in 2011 by Perigee Books (an imprint of Penguin USA). Learn more at http://www.savagechickens.com/.





John Scalzi

John Scalzi

author, Old Man’s War, Fuzzy Nation

John Scalzi is the author of several science fiction novels, including the bestselling Old Man's War sequence, comprising Old Man's War, The Ghost Brigades, and the New York Times bestselling The Last Colony. He is a winner of science fiction's John W. Campbell Award for Best New Writer, and he won the Hugo Award for Your Hate Mail Will Be Graded, a collection of essays from his popular blog "Whatever." His latest novel, Fuzzy Nation, hit the New York Times bestseller list in its first week on sale. His next book will be published in June 2012.





Mark Schultz

Mark Schultz

writer/artist, Xenozoic Tales, Prince Valiant

Mark Schultz loves a good story, always has. His lifelong interest in adventure fiction and science led him to create the award-winning comics series Xenozoic Tales and co-create the undersea adventure SubHuman, as well as to write such nonfiction projects as The Stuff of Life, a Graphic Guide to Genetics and DNA. He has illustrated a collection of Robert E. Howard's Conan of Cimmeria and the autobiography of Charles R. Knight. Currently, he is completing the visuals for his Storms at Sea novella while continuing to script Prince Valiant, which appears in the funny pages of better newspapers everywhere.





Scott Shaw!

Scott Shaw!

cartoonist/writer, Captain Carrot, Oddball Comics

Scott Shaw! is an experienced professional cartoonist/writer in the fields of comic books, animation, advertising, and toy design. His first published comics story appeared in the underground comic book Gory Stories Quarterly. He co-created-with Roy Thomas-the funny animal superhero series Captain Carrot and His Amazing Zoo Crew! (DC). Scott was one of a handful of local comic fans who helped organize the first San Diego Comic-Con. He regularly performs his popular Oddball Comics slide show at Comic-Con, and he wows the audience along with Sergio Aragonés and Mark Evanier at the annual Quick Draw! event.  





Gilbert Shelton Photo © 2012 Lora Fountain

Gilbert Shelton

cartoonist, Wonder Wart-Hog, Fabulous Furry Freak Brothers

Legendary underground comix cartoonist Gilbert Shelton makes a rare U.S. appearance at Comic-Con this year. Shelton published "Wonder Wart-Hog" in the student humor magazine at the University of Texas, The Texas Ranger, from 1962 to 1964, then continued the series in Harvey Kurtzman's Help! magazine and Pete Millar's Drag Cartoons until 1967. His best-known series is The Fabulous Furry Freak Brothers and Fat Freddy's Cat, which he started in 1967. He was a co-founder of Rip Off Press in San Francisco, a major underground comix publisher. After moving to Paris, France, in 1985, he started a new series, Not Quite Dead, with the French artist Pic. He continues to produce occasional adventures for all three series.





Jason Shiga

Jason Shiga

writer/artist, Bookhunter, Empire State

Jason Shiga graduated from the University of California at Berkeley with a degree in pure mathematics. He is the author of over 20 comic books, including Fleep, Bookhunter, Meanwhile, and Empire State. He is the inventor of three board games, two card tricks, and the world's second largest interactive comic, spanning 25 square feet. His puzzles and mazes have appeared in McSweeny's and Nickelodeon magazine. He lives in Oakland, CA.





Jim Silke Photo by Greg Preston

Jim Silke

artist/illustrator/designer, Rascals in Paradise, Bettie Page, Queen of the Nile

After a career as the executive art director at Capitol Records and as the creator, editor, and designer of the magazines Cinema and Movies International, as well as being a glamour photographer, historian (Here's Looking At You, Kid), novelist (the Death Dealer series), and screenwriter (Sahara, King Solomon's Mines, Revenge of the Ninja), Jim Silke turned, in 1991 at age 60, to his first love-comics. He has since completed the graphic novels Rascals in Paradise and Bettie Page, Queen of the Nile, plus a number of illustrated art books, including Bettie Page: Queen of Hearts, Pin-Up: The Illegitimate Art, and Jungle Girls.





Marc Silvestri

Marc Silvestri

writer/artist, Image Comics co-founder, Witchblade, The Darkness, Incredible Hulk

Marc Silvestri founded Top Cow in 1992 after leaving a lucrative career at Marvel. His mandate for Top Cow was specific: create the next generation of heroes and do it better than everyone else. Marc built Top Cow into an artist boutique that created iconic characters and properties such as Witchblade, Wanted, and The Darkness. Marc helped position Top Cow as a vital production company in film and television as well as acting as producer on the Witchblade TV and anime series, the Wanted and A-Team feature films, and both of The Darkness video games. Marc continues to be active as a comic artist as well, most recently in Artifacts, Image United, and the Incredible Hulk.





Scott Snyder

Scott Snyder

writer, American Vampire, Batman, Swamp Thing

New York Times bestselling author Scott Snyder is the current writer on Batman and Swamp Thing for DC Comics, creator with artist Rafael Albuquerque of the Harvey and Eisner Award–winning series American Vampire for Vertigo, and co-creator and co-writer with Scott Tuft on the historical horror comic Severed for Image Comics. He is also the author of the story collection Voodoo Heart from the Dial Press/Random House. He lives on Long island, NY with his wife and two young sons and is a very big and un-ironic fan of Elvis Presley.





J. Michael Straczynski

J. Michael Straczynski

writer, Superman: Earth One

J. Michael Straczynski is a writer/producer for film, television, and comics. His latest graphic novel, Superman: Earth One, made the New York Times bestseller list for 37 weeks. Five films he's worked on were produced in the last four years: Changeling, Ninja Assassin, Thor, World War Z, and Underworld: Awakening. He's also just written a TV pilot for Will Smith's company, has sold a graphic novel/webisode series to MTV.com, and finished writing the second hardcover volume of Superman: Earth One. He has received the Hugo, Eisner, Inkpot ,and Saturn Awards, and in 2009 he was nominated for a British Academy Award.





Angelo Torres

Angelo Torres

artist, MAD, Creepy, Eerie

Born in Santurce, Puerto Rico in 1932, Angelo Torres began drawing at a young age. In 1946 he moved to New York City, where he studied art in high school and in 1951 went into the Army and served in Korea. He attended the Cartoonists and Illustrators School (SVA) from 1953 to 1955, when he left to work in the comic business, including collaborations with his friends Al Williamson and Frank Frazetta. The years ahead were busy with a wide variety of projects, including Jim Warren's Creepy and Eerie. In 1969, Torres joined the gang at MAD magazine.





Herb Trimpe

Herb Trimpe

artist, Incredible Hulk, GI Joe

Herb Trimpe is best known for his 8-year run on the Incredible Hulk for Marvel, featuring the introduction of Wolverine in Hulk 180 and 181. Trimpe is also known for his contributions to several licensed characters, including Transformers, Godzilla, and G.I. Joe, all of which were featured in major motion pictures. Other titles drawn by Trimpe include the Defenders, War Is Hell, Guardians of the Galaxy, Indiana Jones, and Fantastic Four Unlimited, a quarterly publication that became Trimpe's final effort at Marvel. Trimpe is currently drawing G.I. Joe covers for IDW publishing, as well as extensive commission work.





Morrie Turner

Morrie Turner

cartoonist, Wee Pals

Cartoonist Morrie Turner, a native of Oakland, CA, turned to cartooning full-time in 1964. In 1965 he created the Wee Pals comic strip. It was Turner's intention to portray a world without prejudice, a world in which differences - race, religion, gender, and physical and mental ability - are cherished, not scorned. One life-changing honor was during the Vietnam War when he was one of six cartoonists asked by the National Cartoonist Society to go to Vietnam, where he spent 27 days on the front lines and in hospitals drawing more than 3,000 caricatures of service people. Morrie also has the distinction of having been at the very first San Diego Comic-Con in 1970.





Michael Uslan

Michael Uslan

writer/historian/producer, The Dark Knight, The Boy Who Loved Batman

Michael Uslan grew up loving Batman. As a young adult, he was one of the first people in the country to teach a college-accredited course on comic book folklore. Along with business partner Benjamin Melniker, Uslan has produced all the Batman films to date, starting with the first Tim Burton film in 1989. He has also written for comics, including the Archie Gets Married storyline, was instrumental in bringing the 1960s comics fan favorite title T.H.U.N.D.E.R. Agents back to print, and recently published his autobiography, The Boy Who Loved Batman, with Chronicle Books.





Jim Valentino

Jim Valentino

writer/artist, Image Comics co-founder, normalman, ShadowHawk

Jim Valentino is the creator of such diverse series as normalman, A Touch of Silver, Vignettes, and ShadowHawk, as well as being the creative force behind the Guardians of the Galaxy for Marvel. A co-founder of Image Comics, he served as the company's publisher from 1999 to 2004, changing the face of the company to one of the most stylistically diverse in the industry. Currently he heads his own division of Image, Shadowline, which publishes Morning Glories, Green Wake, Ted McKeever and more. He serves on the board of directors of the Hero Initiative and is an alumnus of the San Diego Comic-Con committee.





Trevor Von Eeden

Trevor Von Eeden

artist, Black Lightning, Green Arrow, Thriller

Trevor Von Eeden, born in Guyana, South America in 1959, came to the U.S. in 1970. Along with co-creating Black Lightning for DC, Von Eeden's has drawn Batman Annual #8, a Green Arrow miniseries, Thriller, Catwoman, Worlds' Finest, Legends of the DC Universe, and Black Canary, among many others. He has also produced his first self-written and drawn graphic novel, The Original Johnson, the story of Jack Johnson, "the first black heavyweight champion of the whole white world" (as the blurb goes), published by IDW.





Mark Waid Photo by Lori Matsumoto

Mark Waid

writer/editor, Kingdom Come, Irredeemable, Daredevil

Comics professional Mark Waid has, at one time or another over the past 25 years, held pretty much every job the industry has to offer, from publisher to PR flack to editor to colorist. He is best known, however, as a writer/creator of the Eisner Award–winning Kingdom Come graphic novel with artist Alex Ross and of over 1,200 comics besides, including long runs on The Flash, Fantastic Four, Captain America, Irredeemable, Ruse, and Justice League of America. A well-known comics historian, Waid looks to the future - and the past - with his upcoming line of digital comics, launched in late 2011.





Tom Yeates

Tom Yeates

artist, Tarzan, Zorro, Swamp Thing

Tom Yeates attended the Joe Kubert School after three years of college. He has been working as an illustrator for 30 years, working for Dark Horse, DC, and Marvel, illustrating Swamp Thing, Timespirits, Tarzan, and Zorro. His book illustration work includes Edgar Rice Burroughs' John Carter of Mars for Barnes & Noble, and a series of books on myths by Anthony Horowitz. 2011 saw the release of The Outlaw Prince from Dark Horse, a graphic novel based on ERB's The Outlaw of Torn. He is currently working on a western graphic novel based on a Louis L'Amour story, a new Tarzan comic, and Groo vs. Conan.



EISNER AWARD NOMINEES 2012
NOMINADOS A LOS PREMIOS EISNER 2012

Best Short Story
"A Brief History of the Art Form Known as Hortisculpture," by Adrian Tomine, in Optic Nerve #12 (Drawn & Quarterly)
"Harvest of Fear," by Jim Woodring, in The Simpsons’ Treehouse of Horror #17 (Bongo)
"The Seventh," by Darwyn Cooke, in Richard Stark’s Parker: The Martini Edition (IDW)
"The Speaker," by Brandon Graham, in Dark Horse Presents #7 (Dark Horse)

Best Single Issue (or One-Shot)
Daredevil #7, by Mark Waid, Paolo Rivera, and Joe Rivera (Marvel)
Ganges #4, by Kevin Huizenga (Fantagraphics)
Locke & Key: Guide to the Known Keys, by Joe Hill and Gabriel Rodriguez (IDW)
Princeless #3, by Jeremy Whitley and M. Goodwin (Action Lab)
The Unwritten #24: "Stairway to Heaven" by Mike Carey, Peter Gross, and Al Davison (Vertigo/DC)

Best Continuing Series
Daredevil, by Mark Waid, Marcos Martin, Paolo Rivera, and Joe Rivera (Marvel)
Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
Rachel Rising, by Terry Moore (Abstract Studio)
Ultimate Comics Spider-Man, by Brian Michael Bendis and Sara Pichelli (Marvel)
Usagi Yojimbo, by Stan Sakai (Dark Horse)

Best Limited Series
Atomic Robo and the Ghost of Station X, by Brian Clevinger and Scott Wegener (Red 5)
Criminal: The Last of the Innocent, by Ed Brubaker and Sean Phillips (Marvel Icon)
Flashpoint: Batman - Knight of Vengeance, by Brian Azzarello and Eduardo Risso (Vertigo/DC)
The New York Five, by Brian Wood and Ryan Kelly (Vertigo/DC)
Who Is Jake Ellis? by Nathan Edmondson & Tonci Zonjic (Image)

Best Publication for Early Readers (up to age 7)
Beauty and the Squat Bears, by Émile Bravo (Yen Press)
Benjamin Bear in Fuzzy Thinking, by Philippe Coudray (Candlewick/Toon Books)
Dragon Puncher Island, by James Kochalka (Top Shelf)
Nursery Rhyme Comics, edited by Chris Duffy (First Second)
Patrick in a Teddy Bear’s Picnic, by Geoffrey Hayes (Candlewick/Toon Books)

Best Publication for Kids (ages 8-12)
The All-New Batman: The Brave and the Bold, by Sholly Fisch, Rick Burchett, and Dan Davis (DC)
Amelia Rules: The Meaning of Life ... And Other Stuff, by Jimmy Gownley (Atheneum)
The Ferret’s a Foot, by Colleen AF Venable and Stephanie Yue (Graphic Universe/Lerner)
Princeless, by Jeremy Whitley and M. Goodwin (Action Lab)
Snarked, by Roger Langridge (kaboom!)
Zita the Space Girl, by Ben Hatke (First Second)

Best Publication for Young Adults (Ages 12-17)
Anya’s Ghost, by Vera Brosgol (First Second)
Around the World, by Matt Phelan (Candlewick)
Level Up, by Gene Yang and Thien Pham (First Second)
Life with Archie, by Paul Kupperberg, Fernando Ruiz, Pat & Tim Kennedy, Norm Breyfogle et al. (Archie)
Mystic, by G. Willow Wilson and David Lopez (Marvel)

Best Anthology
Dark Horse Presents, edited by Mike Richardson (Dark Horse)
Nelson, edited by Rob Davis and Woodrow Phoenix (Blank Slate)
Nursery Rhyme Comics, edited by Chris Duffy (First Second)
The Someday Funnies, edited by Michel Choquette (Abrams ComicArts)
Yiddishkeit: Jewish Vernacular and the New Land, edited by Harvey Pekar and Paul Buhle (Abrams ComicArts)

Best Humor Publication
The Art of Doug Sneyd: A Collection of Playboy Cartoons (Dark Horse Books)
Chimichanga, by Eric Powell (Dark Horse)
Coffee: It’s What’s for Dinner, by Dave Kellett (Small Fish)
Kinky & Cosy, by Nix (NBM)
Milk & Cheese: Dairy Products Gone Bad, by Evan Dorkin (Dark Horse Books)

Best Digital Comic
Bahrain, by Josh Neufeld, www.cartoonmovement.com/comic/24
Battlepug, by Mike Norton, www.battlepug.com
Delilah Dirk and the Turkish Lieutenant, by Tony Cliff, www.delilahdirk.com
Outfoxed, by Dylan Meconis, www.dylanmeconis.com/outfoxed
Sarah and the Seed, by Ryan Andrews, www.ryan-a.com/comics/sarahandtheseed01.htm

Best Reality-Based Work
Around the World, by Matt Phelan (Candlewick)
Green River Killer: A True Detective Story, by Jeff Jensen and Jonathan Case (Dark Horse Books)
Marzi: A Memoir, by Marzena Sowa and Sylvain Savoia (Vertigo/DC)
Onward Towards Our Noble Deaths, by Shigeru Mizuki (Drawn & Quarterly)
Vietnamerica, by GB Tran (Villard)

Best Graphic Album - New
Bubbles & Gondola, by Renaud Dillies (NBM)
Freeway, by Mark Kalesniko (Fantagraphics)
Habibi, by Craig Thompson (Pantheon)
Ivy, by Sarah Olekysk (Oni)
Jim Henson’s Tale of Sand, adapted by Ramón K. Pérez (Archaia)
One Soul, by Ray Fawkes (Oni)

Best Graphic Album - Reprint
Big Questions, by Anders Nilsen (Drawn & Quarterly)
The Death Ray, by Dan Clowes (Drawn & Quarterly)
Richard Stark’s Parker: The Martini Edition, by Darwyn Cooke (IDW)
WE3: The Deluxe Edition, by Grant Morrison and Frank Quitely (Vertigo/DC)
Zahra’s Paradise, by Amir and Khalil (First Second)

Best Archival Collection/Project - Strips
Flash Gordon and Jungle Jim, by Alex Raymond and Don Moore, edited by Dean Mullaney (IDW/Library of American Comics)
Forgotten Fantasy: Sunday Comics 1900-1915, edited by Peter Maresca (Sunday Press)
Prince Valiant vols. 3-4, by Hal Foster, edited by Kim Thompson (Fantagraphics)
Tarpé Mills’s Miss Fury Sensational Sundays, 1944-1949, edited by Trina Robbins (IDW/Library of American Comics)
Walt Disney’s Mickey Mouse vols. 1-2, by Floyd Gottfredson, edited by David Gerstein and Gary Groth (Fantagraphics)

Best Archival Collection/Project - Comic Books
Government Issue: Comics for the People: 1940s-2000s, edited by Richard L. Graham (Abrams ComicArts)
The MAD Fold-In Collection, by Al Jaffee (Chronicle)
PS Magazine: The Best of Preventive Maintenance Monthly, by Will Eisner (Abrams ComicArts)
The Sugar and Spike Archives, vol. 1, by Sheldon Mayer (DC)
Walt Simonson’s The Mighty Thor Artist’s Edition (IDW)

Best U.S. Edition of International Material
Bubbles & Gondola, by Renaud Dillies (NBM)
Isle of 100,000 Graves, by Fabien Vehlmann and Jason (Fantagraphics)
Like a Sniper Lining Up His Shot, by Jacques Tardi and Jean-Patrick Manchette (Fantagraphics)
The Manara Library, vol. 1: Indian Summer and Other Stories, by Milo Manara with Hugo Pratt (Dark Horse Books)
Night Animals: A Diptych About What Rushes Through the Bushes, by Brecht Evens (Top Shelf)

Best U.S. Edition of International Material - Asia
A Bride’s Story, by Kaoru Mori (Yen Press)
Drops of God, by Tadashi Agi and Shu Okimoto (Vertical)
Onward Towards Our Noble Deaths, by Shigeru Mizuki (Drawn & Quarterly)
Saturn Apartments, vols. 3-4, by Hisae Iwaoka (VIZ Media)
Stargazing Dog, by Takashi Murakami (NBM)
Wandering Son, vol. 1, by Shimura Takako (Fantagraphics)

Best Writer
Cullen Bunn, The Sixth Gun (Oni)
Mike Carey, The Unwritten (Vertigo/DC)
Jeff Jensen, Green River Killer: A True Detective Story (Dark Horse Books)
Jeff Lemire, Animal Man, Flashpoint: Frankenstein and the Creatures of the Unknown, Frankenstein: Agent of S.H.A.D.E. (DC); Sweet Tooth (Vertigo/DC)
Mark Waid, Irredeemable, Incorruptible (BOOM!); Daredevil (Marvel)

Best Writer/Artist
Rick Geary, The Lives of Sacco and Vanzetti (NBM)
Terry Moore, Rachel Rising (Abstract Studio)
Sarah Oleksyk, Ivy (Oni)
Craig Thompson, Habibi (Pantheon)
Jim Woodring, Congress of the Animals (Fantagraphics), "Harvest of Fear," in The Simpsons’ Treehouse of Horror #17 (Bongo)

Best Penciller/Inker or Penciller/Inker Team
Michael Allred, iZombie (Vertigo/DC); Madman All-New Giant-Size Super-Ginchy Special (Image)
Ramón K. Pérez, Jim Henson’s Tale of Sand (Archaia)
Chris Samnee, Captain America and Bucky, Ultimate Spider-Man #155 (Marvel)
Marcos Martin, Daredevil (Marvel)
Paolo Rivera/Joe Rivera, Daredevil (Marvel)

Best Cover Artist
Michael Allred, iZombie (Vertigo/DC)
Francesco Francavilla, Black Panther (Marvel); Lone Ranger, Lone Ranger/Zorro, Dark Shadows, Warlord of Mars (Dynamite); Archie Meets Kiss (Archie)
Victor Kalvachev, Blue Estate (Image)
Marcos Martin, Daredevil, Amazing Spider-Man (Marvel)
Sean Phillips, Criminal: The Last of the Innocent (Marvel Icon)
Yuko Shimizu, The Unwritten (Vertigo/DC)

Best Coloring
Laura Allred, iZombie (Vertigo/DC); Madman All-New Giant-Size Super-Ginchy Special (Image)
Bill Crabtree, The Sixth Gun (Oni)
Ian Herring and Ramón K. Pérez, Jim Henson’s Tale of Sand (Archaia)
Victor Kalvachev, Blue Estate (Image)
Cris Peter, Casanova: Avaritia, Casanova: Gula (Marvel Icon)

Best Lettering
Deron Bennett, Billy Fog, Jim Henson’s Dark Crystal, Jim Henson’s Tale of Sand, Mr. Murder Is Dead (Archaia); Helldorado, Puss N Boots, Richie Rich (APE Entertainment)
Jimmy Gownley, Amelia Rules! The Meaning of Life ... And Other Stuff (Atheneum)
Laura Lee Gulledge, Page by Paige (Amulet Books/Abrams)
Tom Orzechowski, Manara Library, with L. Lois Buholis(Dark Horse); Manga Man (Houghton Mifflin); Savage Dragon (Image)
Stan Sakai, Usagi Yojimbo (Dark Horse)

Best Comics-Related Journalism
The AV Club Comics Panel, by Noel Murray, Oliver Sava et al., www.avclub.com/features/comics-panel/
The Beat, produced by Heidi MacDonald et al., www.comicsbeat.com
The Comics Journal, edited by Gary Groth, and The Comics Journal website, www.tcj.com, edited by Timothy Hodler and Dan Nadel (Fantagraphics)
The Comics Reporter, produced by Tom Spurgeon, www.comicsreporter.com
TwoMorrows Publications: Alter Ego edited by Roy Thomas, Back Issue edited by Michael Eury, Draw edited by Mike Manley, and Jack Kirby Collector edited by John Morrow

Best Educational/Academic Work
Alan Moore: Conversations, ed. by Eric Berlatsky (University Press of Mississippi)
Cartooning: Philosophy & Practice, by Ivan Brunetti (Yale University Press)
Critical Approaches to Comics: Theories and Methods, edited by Matthew J. Smith and Randy Duncan (Routledge)
Hand of Fire: The Comics Art of Jack Kirby, by Charles Hatfield (University Press of Mississippi)
Projections: Comics and the History of 21st Century Storytelling, by Jared Gardner (Stanford University Press)

Best Comics-Related Book
Archie: A Celebration of America’s Favorite Teenagers, edited by Craig Yoe (IDW/Yoe Books)
Caniff: A Visual Biography, edited by Dean Mullaney (IDW/Library of American Comics)
Drawing Power: A Compendium of Cartoon Advertising, edited by Rick Marschall and Warren Bernard (Fantagraphics/Marschall Books)
Genius Isolated: The Life and Art of Alex Toth, designed by Dean Mullaney (IDW/Library of American Comics)
MetaMaus, by Art Spiegelman (Pantheon)

Best Publication Design
Genius Isolated: The Life and Art of Alex Toth, designed by Dean Mullaney (IDW/Library of American Comics)
Jim Henson’s Tale of Sand, designed by Eric Skillman (Archaia)
Kinky & Cosy, designed by Nix (NBM)
The MAD Fold-In Collection, designed by Michael Morris (Chronicle)
Richard Stark’s Parker: The Martini Edition, designed by Darwyn Cooke (IDW)

"Spirit of  Comics" Award Recipients
Premiados "Spirit of Comics" (1997-2011)


1993
Gary Colobuono
Moondog's
Chicago, IL
Sean Scoffield & Steve Solomos
The Beguiling
Toronto, Ontario, Canada
Rory Root & Mike Patchen
Comic Relief
Berkeley & San Francisco, CA

1994
Bill Liebowitiz
Golden Apple
Los Angeles, CA
Leon Cowen & Michael Pandolfo
Dr. Comics & Mr. Games
Oakland, CA

1995
Joe Field
Flying Colors
Concord, CA
Kees Kousemaker
Lambiek
Amsterdam, Holland

1996
George Vlastaras
Kings Comics
Sydney, Australia
Joe & Dottie Ferrara
Atlantis Fantasyworld
Santa Cruz, CA

1997
Eric Kirsammer
Chicago Comics
Chicago, IL
Steve Snyder
Central City Comics
Columbus, OH
Paul Howley
That's Entertainment
Fitchburg & Worchester, MA

1998
Mark & Robert Hennessey
Hi De Ho Comics
Santa Monica, CA
Gaston Dominquez & Ilia Carson
Meltdown Comics & Collectibles
Los Angeles, CA

1999
Scott Thorne
Star Clipper Comics & Games
St. Louis, MO
Greg Ketter
DreamHaven
Minneapolis, MN

2000
Patrck Shaughnessy
Golden Age Collectables
Vancouver, Canada

2001
Calum Johnston
Strange Adventures
Nova Scotia, Canada

2002
Nick Postilgione
Source Comics & Games
Falcon Heights, MN

2003
Alan & Marsha Giroux
All About Books and Comics
Phoenix, AZ

2004
Fran and Kevin McGarry
ACME Comics & Collectibles
Sioux City, IA

2005
Mimi Cruz and Alan Carroll
Night Flight Comics
Salt Lake City, UT

2006
Richard Neal
Zeus Comics
Dallas, TX
» Interview with Zeus Comics

2007
Carr D’Angelo & Jud Meyers
Earth-2 Comics
Sherman Oaks, CA
» Interview with Earth-2

2008
Atom! & Portlyn Freeman
Brave New World
Newhall, CA

2009
Tate & Amanda Ottati
Tate's Comics
Fort Launderdale, FL

2010
Curtis Sullivan & Steve Fodale
Vault of Midnight
Ann Arbor, MI

2011
Yuval Sharon, Danny Amitai
Comics & Vegetables
Tel Aviv, Israel

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 in MTV News Latest Headlines

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in PopSugar

Offsite link Gaumont International TV To Do ‘Barbarella’ Series With Martha De Laurentiis, Nick Refn

in Deadline.com


Offsite link Imagine Entertainment Sets Noah Oppenheim To Adapt George Orwell’s ’1984′

in Deadline.com


Offsite link Box Office Yawn For Tom Cruise’s ‘Rock Of Ages’ & Adam Sandler’s ‘That’s My Boy’: ‘Madagascar 3′ & ‘Prometheus’ #1 & #2

 in Deadline.com


Las 10 webs de comic que figuran entre las primeras en mostrarse en el directorio



  1. .
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  1. Bleeding Cool

  2. http://www.bleedingcool.com/
    Recent: Swipe File: DC Nation’s Vibe
    Here’s a still from the Vibe teaser for the DC Shorts videos playing on DC Nation. And here is a fan image …
2. Site thumbnail

Comic Book Movie

http://www.comicbookmovie.com/
Recent: 2012 CBM FightClub THURSDAY SUPERBATTLE CXLII (142)
HULK vs VAN HELSING | Title Fight-BLACK CANARY vs MARIA HILL | Rematch-BATMAN vs DAREDEVIL | Results for …


3.

 

http://robot6.comicbookresources.com/
Recent: Greatest Comic of All Time | Wayward Girls (Slechte Meisjes) #1
The greatest comics of all time don’t appear on bestseller charts or canon lists or big-box bookstore …


4. Site thumbnail

Splash Page

http://splashpage.mtv.com/
Recent: TIGHTS: Emma Stone Thinks Gwen Stacy Should Die!
Will " The Amazing Spider-Man " take place on the night Gwen Stacy died? Probably not — one imagines that …

5.

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GeekTyrant

http://geektyrant.com/
Recent: SESAME STREET Getting Big Screen Adaptation
Looks like the classic PBS kids series Sesame Street is heading to the big screen! 20th Century Fox picked …

6. Site thumbnail

Screen Rant

http://screenrant.com/
Recent: Popular Fantasy Novel ‘The Alchemyst’ Getting the Film Treatment
The box office success of recent film franchises including Harry Potter ,  Twilight , and The Hunger Games …

7. Site thumbnail

Topless Robot

http://www.toplessrobot.com/
Recent: A Clash of King, an Assembly of Attack Ads
Mother Jones made trio of Westerosi political attack ads, and they're just fabulous. Daenerys is above and …

8. Site thumbnail

FirstShowing.net

http://www.firstshowing.net/
Recent: 'Rise of the Planet of the Apes' Writers Will Script 'Jurassic Park 4'
Over a year ago we learned the exciting news that Steven Spielberg was meeting with screenwriter Mark …
9.
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The Beat

http://www.comicsbeat.com/
Share this link on Facebook! You Americans are all such damned slobs, you see. Whenever I heard across to





10.








Site thumbnailGeekDad
http://www.wired.com/geekdad
Recent: Soda Bottle Water Rockets for Summer Fun
When it’s hot, and you need some excitement, it’s time for water rockets. Yes, you can buy a really cheap …

miércoles, 6 de junio de 2012

Manga Award / sixth International edition / Tokyo 2013

The Sixth International MANGA Award Guidelines for Application
http://www.manga-award.jp/en/award_6th.html


1. Purpose
To promote MANGA overseas.
2. Conditions of Entry
(1) The MANGA works (24 or more pages) must be produced in countries
outside Japan. Both published and unpublished works are eligible except
works which received the past Manga Awards.
(2) The MANGA works should be produced within three years of date for apply.
(3) The works must be submitted in printed form as a rule.
(4) Overseas publishing companies are permitted to apply for the Sixth
International MANGA Award only if they confirm that their MANGA artists consent to their works being submitted.
3. How to Apply
(1) Application Period
April 2012 – 15 June 2012 (entries must arrive by 15 June) Applications should be sent to either i) or ii) below.
i) P.O.Box MBE 703
The Sixth International MANGA Award Executive Committee, Yanagiya Taiyo Building 1F, Nihombashi Muromachi 4-3-16, Chuo-ku, Tokyo 103-0022, JAPAN
ii) Japanese Embassies or Consulates General (See the website for the address.)
(2) Two copies of the works must be submitted.
(Additional copies may be requested for works which win the award.)
(3) Please ensure the entry form, filled in either in English or Japanese, is attached to the works.
4. Return of Works
The submitted works will not be returned to applicants. Therefore, if works have not yet been published, the original should be retained by the artist. We might donate submitted works to public organisations, or exhibit them.
5. Selection
The Sixth International MANGA Award Evaluation Committee is in charge of the selection procedure.
6. Prize
(1) The Gold Award of the Sixth International MANGA Award will be given to the best MANGA and approximately three works of merit will receive the Silver Award.
(2) Winners will be invited to Japan for around 10 days as supplementary prize for the award ceremony (without Bronze Award).
7. Award Ceremony
The award ceremony will be held in Tokyo in January 2013. (END)

Festival de Angouleme: mangas du monde

Leiji Matsumoto.

Encore une quinzaine de jours pour participer à la sixième édition de l’International Manga Award, concours international de création auquel le Festival d’Angoulême apporte son soutien et ses encouragements. Créé à l’initiative du ministère des affaires étrangères japonais avec la participation de la Japan Cartoonist Association, afin d’élargir la diffusion de la pop culture nippone et de promouvoir la connaissance et la compréhension du Japon, ce concours récompense chaque année depuis 2007 un(e) artiste non japonais(e) dont le travail, proche de l’esprit manga, a contribué à son développement dans le reste du monde.
Chaque candidature doit consister en une création manga d’au moins 24 pages, publié professionnellement ou non, ne datant pas de plus de trois ans. Les candidatures peuvent être soumises indifféremment par des auteurs ou des maisons d’édition - dans ce cas sous réserve de l’accord des auteurs concernés. Les formulaires d’inscription et de participation au concours peuvent être retirés sur le site du concours : http://www.manga-award.jp/en/award_6th.html. La date limite de dépôt des candidatures est fixée au 15 juin.
Quatre prix récompensent les lauréats du concours : le Golden Prize d’une part, qui couronne la meilleure création, et le Silver Prize d’autre part, que se partagent trois autres œuvres choisies parmi l’ensemble des candidatures. La cérémonie de remise des prix se déroulera à Tôkyô en janvier 2013. Tous les lauréats seront invités pour la circonstance au Japon pour un séjour d’une dizaine de jours.
Jusqu’à présent, ce sont essentiellement des auteurs asiatiques qui ont été récompensés, comme le Hongkongais Lee Chi Ching en 2007 lors de la création du concours (lequel Lee Chi-Ching était présent à Angoulême en janvier 2011 lors de la 38e édition du Festival, dans le cadre de l’exposition Kaleidoscope consacrée à la bande dessinée de Hong Kong), le Thailandais Jakraphan Huaypetch en 2009 ou le Chinois Xiao Bai l’année suivante.
Cette sixième édition du concours prendra un relief particulier aux yeux du public français du fait de la composition du jury. Celui-ci comptera en effet parmi ses cinq membres une légende du manga : rien moins que Leiji Matsumoto, mythique créateur de deux des séries les plus populaires du manga dans le monde francophone, Capitaine Albator et Galaxy Express 999. Les quatre autres jurés sont Machiko Satonaka, Seika Nakayama, Hiroyuki Yoshitome et Koichi Yuri.

sábado, 12 de mayo de 2012

Novedades de comic en FNAC (2012)

Fuente original: http://www.fnac.es/

Novedades FNAC cómics mayo 2012

Lydie / Zidrou, Jordi Lafebre

Me habría encantado ser etnóloga / Margaux Motin

Amores minúsculos / Alfonso Casas

Todo el polvo del camino / Wander Antunes, Jaime Martín

Entretelas / Rubén del Rincón

La ola perfecta / Ramón de España, Sagar

Trazo de Tiza (reedición) / Miguelanxo Prado

Diario de un profesor estresado / Naatz

No cambies nunca / David Sánchez

Downtown / Noël Langa, Rodrigo García

El siglo de las luces 1 (La condesa epónima) / Joann Sfar

El Ángelus / Frank Giroud, Josep Homs

Sherlock Holmes y la conspiración de Barcelona / Sergio Colomino, Jordi Palomé

Dorian Gray / Enrique Corominas

Che Guevara / Marco Rizzo, Lelio Bonaccorso

Frank (Vol. 2) / Jim Woodring

Reportajes / Joe Sacco

Historias del barrio / Gabi Beltrán, Bartolomé Seguí

The Flystones / Toni Marmota

El pequeño libro de los Beatles / Hervé Bourhis

Charanga / Aude Picault

Sincronías / Aleix Gordo Hostau

Memorias de la Tierra / Miguel Brieva

Caído del cielo / Charles Berberian, Christophe Gaultier

y otros

miércoles, 9 de mayo de 2012

Premiados en Ficomic Barcelona 2012

 
El histórico historietista José Ortiz, conocido especialmente por sus colaboraciones con Antonio Segura para el mercado británico y por su serie Hombre, ha ganado el Gran Premio del Salón del Cómic de Barcelona. José Domingo se hizo con el premio a Mejor Obra de Autor Español por sus Aventuras de un oficinista japonés (Bang Ediciones) y el desaparecido Moebius fue distinguido por su último trabajo, Arzak el vigilante, considerada Mejor Obra de Autor Extranjero.
 
Mazinger Z, Ecobot, Astroboy, Dalek y Gort, cinco robots en su versión humana, la de los participantes del concurso de cosplay de autómatas de carne y hueso, que tuvo lugar el sábado por la tarde en el escenario del pabellón 8 de Fira de Barcelona, resultaron ganadores de uno de los dos cosplays organizados en esta 30 edición del Salón del Cómic.
 
Por su parte, Isabelle Giraud, que representó al desaparecido artista, galardonado por su último trabajo, Arzak el vigilante, considerada Mejor Obra de Autor Extranjero, agradeció la gran acogida que tiene el trabajo de Moebius en España, además del “profundo conocimiento del público y los medios de comunicación de su obra”. Avanzó también que las treinta páginas del último trabajo inconcluso del autor serán editadas junto a bocetos y dibujos.

Lola Lorente, autora de Sangre de mi sangre (Astiberri), Premio Autor Revelación, patrocinado por la Fundación Divina Pastora agradeció “el privilegio de un galardón en un año que ha habido trabajos de muy alto nivel”, y  destacó “el gran abanico de gente joven que se está esforzando en España por hacer cómic”.

Por otro lado, José Domingo,  ganador premio a Mejor Obra de Autor Español por sus Aventuras de un oficinista japonés (Bang Ediciones) coincidió en la “excelente calidad y el gran nivel del comic español, tanto en creación como en edición”, y expresó un deseo: “Poderme dedicar toda la vida a hacer tebeos”.

En representación de la editorial Planeta, David Hernando agradeció el premio a la Mejor Obra por votación popular que obtuvo Lágrimas en la lluvia, de Damián Campanario y Assandro Valdrighi, basada en un libro de Rosa Montero. “El medio ha evolucionado lo suficiente como para acercarse a otras obras”, dijo, refiriéndose al comic premiado, que es el resultado de una adaptación de una obra narrativa literaria.

Esteban Hernández, ganador del premio a Mejor Fanzine por Usted, recordó la importancia de los galardones, ya que “posibilitan que la gente aplauda a un dibujante de tebeos. Obtener feedback y escuchar que hay gente que te lee es imprescindible”, concluyó.



 

miércoles, 2 de mayo de 2012

Orbital Comics in London / Tienda de comics Orbital en Londres / Tenda de banda deseñada Orbital

-Orbital comics store in London (closer to Charing Cross)
-Tienda de cómics Orbital en Londres (cerca de Charing Cross)
-Tenda de banda deseñada Orbital en Londres (preto de Charing Cross)

-Orbital Comics

-Comics

-Exhibition
-Exposición
-Mostra

-Comicbooks
-Novedades de comic

Autor: E.V.Pita (2012, Londres) / Author: E.V.Pita (London, 2012)

Fotos, pictures

- Orbital comics store in London
-Tienda de cómics de Orbital en Londres
-Tenda de banda deseñada de Orbital en Londres

miércoles, 4 de abril de 2012

El comic del siglo XXI (2001-2013)

Fuentes: Dictionnarie de La banda dessinée (Henri Filippini)

Nota: el primer autor es el guionista y el segundo el dibujante. Van separados por una coma.

LETRA A

1 - Aberzen (2001) / NGuessan
2 - A.D.N. (2003) / Pierre Makyo y Toldac,  Bruno Rocco
3 - Aimé Lacapalle (1999) / Jean-Yves Ferri
4 - Algernon Woodcok (2002) / Mathieu Gallié, Guillaume Sorel
5 - Alvin Norge (2000) / Chris Lamque
6 -Andy et Gina (2000) / Relom
7 - Apocalypse Mania (2001) / Louis Frédéric Bollée
8 - Ariol (2000) / Emmanuel Guibert, Marc Boutavant
9 - Arthur (1999) / David Chauvel, Jérôme Lereculey
10 - Ascension du Haut Mal (1996-2003) / David B
11 -Atalante (1999) / Didier Crisse
12 - Attila mon amour (1998-2003) / Jean-Yves Mitton, Frank Bonnet


LETRA B

Blacksad (2000) / Juan Díaz Canalés, Juanjo Guarnido
Bleu lézard (1998) / Benoît Roels
Blotch (1998) / Blutch
Bogzzz (2001) / Francia / Nob
Bouncer (2001) / Francia / Alejandro Jodorowsky, François Boucq
Brendon (1998) / Italy / Claudio Chiaverotti, Massimo Rotundo

LETRA C


(continuará  )


Novedades FNAC cómics mayo 2012

Lydie / Zidrou, Jordi Lafebre
Me habría encantado ser etnóloga / Margaux Motin
Amores minúsculos / Alfonso Casas
Todo el polvo del camino / Wander Antunes, Jaime Martín
Entretelas / Rubén del Rincón
La ola perfecta / Ramón de España, Sagar
Trazo de Tiza (reedición) / Miguelanxo Prado
Diario de un profesor estresado / Naatz
No cambies nunca / David Sánchez
Downtown / Noël Langa, Rodrigo García
El siglo de las luces 1 (La condesa epónima) / Joann Sfar
El Ángelus / Frank Giroud, Josep Homs
Sherlock Holmes y la conspiración de Barcelona / Sergio Colomino, Jordi Palomé
Dorian Gray / Enrique Corominas
Che Guevara / Marco Rizzo, Lelio Bonaccorso
Frank (Vol. 2) / Jim Woodring
Reportajes / Joe Sacco
Historias del barrio / Gabi Beltrán, Bartolomé Seguí
The Flystones / Toni Marmota
El pequeño libro de los Beatles / Hervé Bourhis
Charanga / Aude Picault
Sincronías / Aleix Gordo Hostau
Memorias de la Tierra / Miguel Brieva
Caído del cielo / Charles Berberian, Christophe Gaultier

Autores contemporáneos de comic (1990-2013)

Fuentes: Dictionnarie de La banda dessinée (Henri Filippini)

Nota: el primer autor es el guionista y el segundo el dibujante. Van separados por una coma.

LETRA A

1 - Aberzen (2001) / NGuessan
2 - Abîmes du Temps (1992) / Rodolphe, Alain Mounier
3 - Adam (1994) / Brian Basset
4 - A.D.N. (2003) / Pierre Makyo y Toldac,  Bruno Rocco
5 - Agent Secret X-9 (1934-1997) / Dashiell Hammet, Alex Raymond
6- Ailes du Phaèton (1997) / Didier Tarquin, Serge Fino
7 - Aimé Lacapalle (1999) / Jean-Yves Ferri
8 - Akim (1950-1991) / Roberto Renzi,  Augusto Pedrazza
9 -Aldebaran (1994) / Leo
10 - Alef Thau (1982-1998) / Jodorowsky, Arno
11 - Algernon Woodcok (2002) / Mathieu Gallié, Guillaume Sorel
12 - Alpha (1996) / Pascal Renard, Youri Jigounov
13 - Alvin Norge (2000) / Chris Lamquet
14 - Amanda (1994) / Robin Wood, Alejandro Falugi
15 -Andy et Gina (2000) / Relom
16 - Angeli del West (1979-1991) / Luciano Giacotto, Renato Polese
17- Angy (1984-1990) / Chris
18 - Apocalypse Mania (2001) / Louis Frédéric Bollée
19 - Ariol (2000) / Emmanuel Guibert, Marc Boutavant
20 - Aristote et ses potes (1978-1995) / Gerrit de Jager
21 - Arthur (1999) / David Chauvel, Jérôme Lereculey
22 - Ascension du Haut Mal (1996-2003) / David B
23 -Atalante (1999) / Didier Crisse
24 - Attila mon amour (1998-2003) / Jean-Yves Mitton, Frank Bonnet
25 - Aventure de l'equipe Cousteau (1985-1998) / Paccalet, Dominique Serafini


LETRA B

Bébés Disney (1985-1997) / Claude Marin
Bicot (1920-1997) / Martin Branner
Bitune (1995) / Michel Vandam, Michel Constant
Bizu (1987-1994) / Jean-Claude Fournier
Blacksad (2000) / Juan Díaz Canalés, Juanjo Guarnido
Bleu lézard (1998) / Benoît Roels
Blotch (1998) / Blutch
Bobo (1961-1997) / Bélgica / Rosy, Deliége
Bogzzz (2001) / Francia / Nob
Boss (1997) / Bélgica / Zidrou, Philippe Bercovici
Bouncer (2001) / Francia / Alejandro Jodorowsky, François Boucq
Brendon (1998) / Italy / Claudio Chiaverotti, Massimo Rotundo

LETRA C

Cactus Club (1994) / Bélgica / François Gilson, Philippe Bercovici
Calvin et Hobbes (1985-1995) / EE.UU. / Bill Watterson
Capitan Erik (1972-1990) / Italia / Claudio Nizzi, Ruggero Glovannini
Cappi=Kappie
Capricorne (1997) / Bélgica / Andréas



(continuará)

2012

Novedades FNAC cómics mayo 2012
Lydie / Zidrou, Jordi Lafebre
Me habría encantado ser etnóloga / Margaux Motin
Amores minúsculos / Alfonso Casas
Todo el polvo del camino / Wander Antunes, Jaime Martín
Entretelas / Rubén del Rincón
La ola perfecta / Ramón de España, Sagar
Trazo de Tiza (reedición) / Miguelanxo Prado
Diario de un profesor estresado / Naatz
No cambies nunca / David Sánchez
Downtown / Noël Langa, Rodrigo García
El siglo de las luces 1 (La condesa epónima) / Joann Sfar
El Ángelus / Frank Giroud, Josep Homs
Sherlock Holmes y la conspiración de Barcelona / Sergio Colomino, Jordi Palomé
Dorian Gray / Enrique Corominas
Che Guevara / Marco Rizzo, Lelio Bonaccorso
Frank (Vol. 2) / Jim Woodring
Reportajes / Joe Sacco
Historias del barrio / Gabi Beltrán, Bartolomé Seguí
The Flystones / Toni Marmota
El pequeño libro de los Beatles / Hervé Bourhis
Charanga / Aude Picault
Sincronías / Aleix Gordo Hostau
Memorias de la Tierra / Miguel Brieva
Caído del cielo / Charles Berberian, Christophe Gaultier


.........................................................................................................................................................................................................................

AUTORES DE "EL VÍBORA"

Los comienzos: Sento

Sento fue premiado por el álbum "El Médico Novato" (vida del suegro del autor durante la Guerra Civil),  obra ganadora del VI Premio Internacional Fnac-Sins entido de Novela Gráfica.
Miguel Anxo Prado dice que hay una doble crisis : económica y de formato.
Añade, a modo introductorio de la charla, que Sento fue un baluarte de la Línea clara valenciana y luego desapareció para reaparecer con otro estilo, con tres volúmenes.
Sento pertenece a una generación puente de la historieta valenciana como Mus, Miguel Calatayud (premio nacional de ilustración). Era la época de declive de editoriales de Valencia y de historietas de aventuras en un ambiente ceniciento hasta que se apuntó a la línea de Calatayud. Primero se sacaba un fanzine y lo del "underground" y luego se trasladó a Barcelona, de donde surgió El Víbora.
Dice que el costumbrismo les unía aunque en El Víbora era gente muy dura pero muy honrados. Se planteaban historias del barrio chino. Él era muy costumbrista pero había otros como Mikel que era afrancesado o Mariscal (11 hermanos). Era duró porque el futuro era incierto. También estaba Daniel Torres. Eran amigos en la Nueva Escuela Valenciana y tenían las mismas preferencias e iban a las mismas tiendas y librerías. Había un enfrentamiento con la "línea chunga". Habla sobre Max, que era el "más limpio" de la línea chunga y que tenían buena relación. Ellos se fueron de El Víbora a El Cairo y Max se quedó.

Javier Rodríguez

Javier Rodríguez es autor de "Wake Up", "Miedo", "Love Gun", "Lolita R", "Paraiso".
Dice que no hace distinción en los géneros, el lenguaje de la historieta tiene futuro.
Comenta que en los años 80 había muchos fanzines (como El Cairo, Totten) en su casa de Oviedo porque los compraba su padre. En su casa, gustaba Eisner, Pratt y otros. Podría hablar de muchas influencias.
Hasta el 2003, considera que su obra es menor. Con 25 años tiñe mentalidad de que va a triunfar porque a esa edad era muy inocente.
 En Artes y Oficios realizaban las ideas de Bellas Artes.
En la imprenta, guillotinábamos, negociaban las cantidades y las tintas, etc... Incluso tenían tarjetas personales de su "estudio". Cogían clases de diseño o proyectos para hacer mapas en 3-D sin tener ni idea.
Sacó la editorial Cactus.
Buscaron una revista femenina. Los tebeos proyectan la personalidad del dibujante y del lector en los espacios en blanco y entiendes los códigos del lenguaje, dice. Añade que de joven quieres apabullar porque es difícil manejar el ruido y la sobreinformación (grupos de música punk y rock) y no sabe manejar los espacios vacíos entre viñetas. Dice que las obras más intimistas son de gente madura salvo excepciones.
Habla de "Love Gun" donde aprendió a no hablar y no escribir.
En una época en que vivía con cuatro duros fue a Barcelona y acabo su relación con Camaleón. Intentó meterse en El Víbora porque era un fanzinero y luego con Planeta (el laberinto) que rechazó su proyecto  pero les gustó al Víbora y lo contrataron y se portaron con él genial y le pagaron por primera vez.
Sin embargo, le dieron largas para publicar "Wake Up" y logró colocarlo en otra editorial, con lo que terminó su relación con El Víbora.


AUTORES DE EL CAIRO

Sento

Sento se fugó de El Víbora a El Cairo  tras conocer junto a Daniel Torres al editor Navarro que vendió a Norma la idea de montar una revista para autores nuevos. Yo en El Víbora se sentía incómodo con los guiones.
Habla del álbum "Ramón de España". Se llevaba el glam.
Comentan sobre el Madrid, una plataforma en la querían hacer cosas "muy ye-ye".
También trabajó en el diario El Independiente, en el que el tebeo volvió a su origen, pero duró poco. 
Probó todos los palos y se enamoró de muchos proyectos.
En 1986, Anguleme pone de país invitado a Valencia. Luego, hace fallas modernas.


AUTORES DE CIMOC

Rubén Pellejero (ver autores de Norma)


AUTORES DE NORMA

Rubén Pellejero

Biografía de Rubén Pellejero en: http://es.wikipedia.org/wiki/Rub%C3%A9n_Pellejero

"Voy a los consulados a documentarme sobre un país"

En la charla, Pellejero expuso unas diapositivas de su obra del Far West. Las imágenes destacaban por sus tonos marrones y amarillos y los encuadres de los vaqueros al galope rifle en mano por los peñascos. Hay una imagen de una persona que vaga por una ciudad del Oeste, posiblemente San Francisco, con anuncios en las paredes que reflejan una gran documentación.
El autor explicó que es una "rata de biblioteca" y que se compra todos los libros sobre un tema sobre el que va a dibujar. Pero incluso más, porque si es necesario va  a los consulados a hablar con el cónsul sobre determinado país para preguntarle sobre diversa información para documentar lo más fielmente posible el comic.
Sobre los guionistas, ha dicho que tuvo suerte con ellos y que todo le ha venido rodado en ese aspecto.
En su último trabajo, Pellejero dijo que había probado a colorear con programa digital pero admitió que ese es su límite ya que no se imagina hacer el tintado también en un ordenador.

En la charla, en la que estaban presentes Portela y Miguel Anxo Prado, surgieron varias polémicas como el hecho de que algunos autores tengan que publicar primero en Alemania para entrar en el mercado español. "Es como si el escritor Manolo Rivas primero publica en Alemania y luego lo traducen al gallego", dijo uno de los conferenciantes.

Miguel Anxo Prado también reconoció que la organización Viñetas desde o Atlántico ha incumplido una de sus reglas que era que ningún autor repitiese porque "Pellejero ha hecho muchas cosas en los últimos diez años y merece la pena volver a tenerlo aquí".

En la exposición, Pellejero muestra trabajos como "En carne viva".


Por otra parte, el jueves 9, Kiko da Silva presentó su taller-escuela de cómic, en el que ya ha conseguido completar el 85% de las plazas.

FANCINES GALLEGOS


RETRANCA


Kiko da Silva

Biografía: http://es.wikipedia.org/wiki/Kiko_da_Silva

Fundador de la revista humorística Retranca y profesor de la escuela de cómic de Pontevedra "O garaxe hermético". Trabaja en diversos proyectos.

POLAKIA


Jano

Jano. De joven decía que las editoriales y fanzines estaban obsoletos por no incluir a superhéroes.
Dice que de pequeño se divertía leyendo cómics. En el colegio, un compañero trajo cómics de superhéroes (Marvel) y quedó enganchado. Ve en los créditos a Stan Lee. El quiso formar parte de esa historia.
En el colegio hizo sus primeros dibujos y fabricó mmás historias. Descubrió un manual para hacer historietas.
Empezó a colaborar en fanzines y luego montó uno. Tenía una carta de Anxo Coba en los años 90.
Tenían influencias de edicións do Castro.
Dice que tiene influencias de un autor de América . Anxo traía toda la mochila llena material que el pasaba su tío, como la revista Madrid, en la época de Tierno Galban.
Buscaron un referente cercano a ellos, con un modo diferente de hacer historietas y de jugar.
En A Coruña había más gente interesada en hacer cómic como Polakia. Hacíamos fotocopias, distribución e hizo más cosas hasta que el mismo hizo una publicación bien hecha y con mayor tirada. Contactaron con Rubin de Ourense. Hicieron un álbum colectivo y se sumó más gente porque juntos tienen más visibilidad. Pusieron dinero de su bolsillo. Cada uno pagó su álbum. También estaba Emma haciendo "A prueba de balas".
Luego empezaron a hacer entregas más largas y con guionista.
Dice que quedó un año colgado entre el instituto y la Universidad y pudo hacer cosas. Hacia storyboard. Empezaron a pagarle. Colaboró con Ricardo, que montó una tienda en Madrid porque le gustaban los tebeos.
Jano, además de Polakia, hacia otras cosas, con una búsqueda personal y estaba metido en buscar un lenguaje y hacer algo por su cuenta. Hace muchas pruebas y descargaba cosas, no tenía necesidad de publicar porque si y estudiaban. Finalmente, hizo un cuadernillo.
Dice que la carrera le sirvió de algo porque estuvo cinco años sin trabajar aunque sí que dibujaba en aquel entonces y le aportaron conocimientos que pensaba que no iba a necesitar. En Bellas Artes conoció mucha gente que dibujaba y hacía cosas.
En el 2005 sacó muchas obras seguidas y en el 2009 más. Conoció más gente en Barcelona porque era la capital  del diseño y se apuntó a una escuela de ilustración (Masada), y aprender más conocimientos de plástica y de imágenes.
Volvió para Vigo y aprendió la profesión. En eso surge "Centolaman", con unos compañeros de estudios que diseñaban camisetas. Me proponen trabajar con un guionista en plan industrial: harían una parodia de los superhéroes ambientada en Galicia y era obligado un registro humorístico.
Hacia historietas humorísticas y se sorprendió de lo bien que trabajan los ancestros gallegos.

Su método
Jano cuenta que trabaja con storyboard y papel y lápiz y fotolito. Trabaja a cachos porque en una exposición de Bruguera (Vazquez...) cogía un personaje y lo pegaba para ahorrar tiempo.  Te permitía subsanar el error aunque la planificación la hacia completa. Lo modificaba en el ordenador.
En sus tebeos parece el eterno descontento porque crea personajes y salta a otra cosa y lo hace de forma diferente porque hace una búsqueda.

Sobre Rodrigo, este le presentó un guión y a Jano le pareció bien. A partir de ahí una amistad. Su método es hablar de lo que quieren contar ("Nacho Camacho").
Luego trabaja con una editorial de proyección nacional e internacional (bilingüe). Jano hacía una revista experimental de homenaje al cómics de los años 60 y creó el personaje Ratton. Tenía historias sueltas e hizo una novela gráfica porque le propusieron un álbum. Sobre las historietas mudas dice que hay que hacerla bien, usar el lenguaje sin palabras y hacer algo así le supuso algo muy gratificante. El diseño fue cosa de los franceses.
 Dice que en Francia salen muchos tebeos. Tiene ganas y le gustaría volver pero está muy ocupado.
Hablan de la lectura en diagonal de Ratton, lo que obliga a pensar como se estructuran las imágenes. Recuerda a un dibujante al que no le querían pagar un cómic mudo.
Dice que los personajes son de Ratton.
Junto con Ricardo, un fanático de la lucha de enmascarados, hizo una tira de un enmascarado y le pidió una frase y salió una serie de tiras sobre el "Macho Alfa".
También quisieron hacer un cortometraje con Ricardo enmascarado, que así cumplió su sueño.
Otra historieta es El Operario sobre lo que es enfrentarse a lo que es el mundo. Dice que su carga ideológica no puede ser mayor que la del Capitán América. Una de las claves es el juego entre policia, ladrón y obrero, son arquetipos ya formados como las películas de Chaplin donde un vagabundo supera peripecias.
Su influencia viene de novelas gráficas mudas de los años 20 -30 y que estaban dirigidas a gente que no sabía leer.
También habla de la editorial Demo (el editor Manel estaba entre el público). Los dos comentaron posibilidades y opciones y era sencillo de sacar y quedó contento con la edición de "Nacho Camacho", que hacía para la revista Retranca. No quería tapa dura sino a precios populares. El personaje Nacho Camacho es un alter ego del macho Alfa machista y xenófobo. Este cómic si lo llevase a los años 50 no le haría gracia a tanta gente pero la intención se ve clara y los primeros momentos son escacharrantes. Es un personaje patético y sientes pena y te hace gracia. Recopilaron las historias del Retranca e hicieron historias nuevas: va a hacer el Camino de Santiago para interceder al Apóstol por su hijo.

Proyectos
Prefiere no hablar porque no sabe si se van a materializar sus proyectos.
Compagina su labor de autor de cómic con labor académica para niños en talleres de Pontevedra que inició Kiko da Silva. Los pequeños hacen su propia publicación y aprenden a analizar los cuadros de imágenes. Lo hizo por un tema alimenticio y de subsistencia pero el resultado final le gustó mucho.
Aclara que el cómic no da para comer.

Una miembro del público dice que "Nacho Camacho" y "Ratton" son susceptibles de ser trasladados al cortometraje.
Dice que Una tarde de calor en Barcelona las ratas salen de las alcantarillas y se metían en un portal y el grito de una señora, y fue como empezó la historieta. La miembro del público dice que "Ratton" es muy visual. Jano no sabe como funcionaría en una película de animación.
Otro miembro del público propone una historia en la que se enfrenten Nacho Camacho y Torrente. Dice que estos personajes se ponen en evidencia.
Hablan de "3x1".


AUTORES DE 2014

Oriol Hernández

El dibujante Oriol Hernández comentó su álbum "La piel del oso" (premio autor revelación 31 edición de la feria del cómic de Barcelona, guión de Zigrou) y adelantó que trabaja en un proyecto sobre  samurais y volcanes, y puede que koalas.
Entre sus técnicas, mostró cabezas escupidas en 3-D de un político y otro personaje.
Trabaja 4 horas un día por semana y dice que acaba agotado.
También hizo referencia a su álbum "Los tres juntos".
El primer dibujo que hizo para una obra fue a toda prisa pero lo escogieron de portada / la rehizo porque los editores le dijeron : "nos gusta más el primero"

El organizador de las charlas, Miguel Anxo Prado, añadió que la crisis económica afectó al sector industrial y hubo cambios drásticos ve la forma de cambiar el formato. Oriol es un autor que comienza su andadura y ha encontrado su espacio y de la mano de un guionista prestigioso. Los planteamientos han variado. Urgencia y creación. Hace un camino opuesto : entra en el digital y luego sigue con medios naturales.
Consigue proyectos diferentes como La piel del oso.


AUTORES FRANCESES (ANGULEME)


Camile Jourdy
Camile Jourdy explicó la psicología de los personajes de su historieta "Rosalie Blum", una trilogía de 400 páginas. Ella fue premiada como la autora revelación del festival de Angouleme. Ella habló en una conferencia en el kiosko Alfonso el 12 de agosto, en el Festival del Cómic "Viñetas desde el Atlántico". Ella dijo que su severa abuela le sirvió de inspiración para la madre de Rosalie y que al primo Vicent lo incluyó en la historia porque, al leer el guión, notó que a la historia le faltaba algo. Camile dijo que ella fue una adolescente solitaria que dibujaba las historias que se imaginaba y que ahora ha parado de escribir para ejercer de madre.


AUTORES DE AD 2000

Frank Quitely
Lleno total en la sala de Kiosko Alfonso.
El escoces Frank Quitely trabajó en XMen, Batman, Superman  o Tierra 2.  O sea, es un autor de superhéroes aunque en su infancia apenas leyó comics de este tipo.
Su nombre artístico es un juego de palabras que inventó en sus comienzos underground.

Entre sus últimos logros, figura haber dibujado una historia de Superman que ha devuelto al personaje a la actualidad. El guionista Alan Grant le dijo que podían entrar en una serie de 12 números fiel a la esencia de Superman: paternal y mítica. Resumen de su visión en una única historia contada en All Star.
El enfoque es diferente a Batman o We3. "En Superman hay pocas palabras pero contamos una gran historia", dijo Quitely.


Los orígenes de Quitely en el comic underground británico
Cuando empezó en una revista de humor, se puso un seudónimo: Quitely.
Cuando se autopublicaba, envió dossiers a editoriales que figuraban en el listín y uno le encargó un trabajo en cuartrees (o algo así).
"Ni siquiera tenía formación en cómics pero si interés en narrativa", relató él mismo en la charla.
El director americano le obligaba a presentar un esquema narrativo claro antes de dibujar.
"Le interesaron mi dibujo  para la serie de Camandi y Billy Bason y me pedían un dibujo naif", relata.

Sobre su etapa con el guionista Grant Morrison, dice que "me deja algo de libertad". Pero en el proyecto de Multiverso, "me envía listines telefónicos con páginas llenas de detalles".

Preguntado sobre los grandes guionistas, da una respuesta evasiva.

Luego habló sobre la etapa de judge Dreed: nunca leyó la revista 2000 AD y tampoco hizo la tira de Dreed.
Su proceso: "Grant me dejo espacio. Yo en mi primer borrador , si lo hago yo, no necesito descripciones pero para una historia  completa necesito cinco borradores", dijo.


AUTORES DE MARVEL

Frank Quitely
Lleno total en la sala de Kiosko Alfonso.
El escoces Frank Quitely trabajó en XMen, Batman, Superman  o Tierra 2.  O sea, es un autor de superhéroes aunque en su infancia apenas leyó comics de este tipo.
Su nombre artístico es un juego de palabras que inventó en sus comienzos underground.

Entre sus últimos logros, figura haber dibujado una historia de Superman que ha devuelto al personaje a la actualidad. El guionista Alan Grant le dijo que podían entrar en una serie de 12 números fiel a la esencia de Superman: paternal y mítica. Resumen de su visión en una única historia contada en All Star.
El enfoque es diferente a Batman o We3. "En Superman hay pocas palabras pero contamos una gran historia", dijo Quitely.


Los orígenes de Quitely en el comic underground británico
Cuando empezó en una revista de humor, se puso un seudónimo: Quitely.
Cuando se autopublicaba, envió dossiers a editoriales que figuraban en el listín y uno le encargó un trabajo en cuartrees (o algo así).
"Ni siquiera tenía formación en cómics pero si interés en narrativa", relató él mismo en la charla.
El director americano le obligaba a presentar un esquema narrativo claro antes de dibujar.
"Le interesaron mi dibujo  para la serie de Camandi y Billy Bason y me pedían un dibujo naif", relata.

Sobre su etapa con el guionista Grant Morrison, dice que "me deja algo de libertad". Pero en el proyecto de Multiverso, "me envía listines telefónicos con páginas llenas de detalles".

Preguntado sobre los grandes guionistas, da una respuesta evasiva.

Luego habló sobre la etapa de judge Dreed: nunca leyó la revista 2000 AD y tampoco hizo la tira de Dreed.
Su proceso: "Grant me dejo espacio. Yo en mi primer borrador , si lo hago yo, no necesito descripciones pero para una historia  completa necesito cinco borradores", dijo.
Ahora trabaja con un guión de Morrison.
"Prefiero trabajar con un guión completo, otras veces me debo adaptar", dijo.

Sobre su trabajo en X-Men: "el director Quesada nos dejo libertad, Grant quería nuevos uniformes. Sabíamos que los lectores se iban a quejar del cambio radical  como así fue pero con los años se vio que la serie era exitosa".

No tiene deseo de trabajar con un personaje, "yo era feliz cobrando por dibujar. Empece underground, pasé por Vértigo y ahora dibujo a superhéroes. Grant me da una lista de trabajos en los que me interesaría trabajar y yo me subo al carro, es mi única decisión".

En su juventud, leía poco de cómics hasta que descubrió revistas europeas como Cimoc. Ese era su conocimiento cuando empezó en el mundo undeground pero sus amigos le introdujeron en las historias de Alan Moore y otros.
Le preguntan si recibe instrucciones sobre el color. Dice que a él sí le gusta dar instrucciones.

Sobre su técnica de óptica fotográfica, dice que las hojas tiradas en las persecuciones de XMen no tienen nada que ver con su interés por la fotografía, del que tuvo conocimiento como estudiante de arte.

En Superman y Batman lo dejó a lápiz pero no se entinta a si mismo, le gusta descubrir nuevos métodos de trabajo.
Se define como un dibujante lento y, por ello, debe maximizar todo el trabajo en ordenador.

Uno de sus días de trabajo: llega a las 9 a su estudio e intenta salir a las 18.00 pero en el ultimo año sale a las 20.00 a pesar de que solo hace dos páginas a la semana. Su mujer dice que es porque pierde tiempo comiendo, lo que él niega. Añade que con algunas series se olvida de comer.

Cuenta que Grant Morrison y él acabaron en XMen y Grant tenía proyectos con derechos de propiedad intelectual y le ofreció un cómic de tres animales con armaduras y necesitaron varias horas de conversación para tomarmelo en serio. "Lo sentí (a Grant) vigilando sobre la nuca, fue un reto difícil", dijo.

En otro proyecto, dibujó bocetos en márgenes de hojas y los ordenaba luego para que haya un proceso de lectura visual. Grant le explicaba las técnicas narrativas y "yo volvía a mis borradores. Tenemos un acercamiento al comic original y nunca visto".
Portela dice que Grant y Quitely no tenian precisamente un modo de trabajar al estilo del método Marvel.

Sobre proceso con Grant, tienen reunión de trabajo, y le enseña bocetos a lápiz. Con cada guionista, su misión es vender su historia visualmente. Grant tomó su idea, pero no es un diálogo bidireccional porque "él me sugiere cosas pero yo nunca le he pedido dibujar nada".

Portela le pregunta si tiene mas empatia por personajes de Marvel o DC. Contesta que le gustan Hulk, Patrulla X, Spiderman o Daredevil.

Participó en una trilogía europea que iba a dibujar Moebius pero el genio francés no pudo participar. "Me dejaron colorear todo", dijo orgulloso. En ese proyecto estaba Miguelanxo Prado.

Cuando él termine Pax Americana, hará un trabajo independiente. Cuando tenga tiempo a dibujar sus historias, las publicara una editorial independiente.

Historias que le apetezca trabajar: "cualquier guionista seria mejor que yo mismo".

Comparación entre guionistas Morrison y Grant: "A veces  yo tambien pienso ¡pero este tío que me está contando aquí (risas)¡ pero no se lo digáis a Grant, ja, ja".

Le han parodiado una portada y se lo tomó bien.

Cómics que esta leyendo: " la editorial me manda muchos pero estoy muy atareado. Ahora leo tres".

Convención de Morrison:  se celebra en septiembre y se inspiró en una web de debates y otro de bandas que imitan a otros. Solo podrán ir mil personas e irán todas a un hotel de Las Vegas. "Morrinson se está volviendo un Dios, ja, ja", dice.

XMen: nadie tenía intención de que yo dibujase 50 números con Morrinson. Habría otros dibujantes ayudando. Yo debía hacer los tres primeros. Esta serie no gusto a todos pese a que XMen siempre tuvo distintos dibujantes.

Portela comenta que esa misma mañana un niño le pidio a Quetely que dibujase un Batman en el iPad y resulta que los dos autores últimos que ha leído trabajan con ordenador.
El autor dice que usa el ordenador para páginas interiores y antes usaba lápiz azul pero a veces se perdíua parte de su trabajo al borrar para pasarlo a gris, así que ahora hace los borradores en ordenador con líneas azules, las imprime y las repasa. Si pierde algo, lo vuelve a imprimir.

Cuando va en bus hace garabatos y en casa sigue con su cuaderno sin desconectar. "Sí, soy un dibujante compulsivo".


Carlos Pacheco

Carlos Pacheco relató, en un conferencia en el Kiosko Alfonso, su experiencia como dibujante de superhéroes en la editorial Marvel en Estados Unidos. La charla tuvo lugar en el Festival de la Historieta "Viñetas desde o Atlántico", en A Coruña, el 12 de agosto. Él fue acompañado por el director del festival, Miguelanxo Prado.


Javier Rodríguez

Tras una época de fanzines recayó en El Víbora. Javier Rodríguez habla de la serie Wake Up (historias de Barcelona ) que iba a ser para el Víbora pero le daban largas para publicarlo y logró colocarlo a otra editorial. Fue a un bar con vistas en el casco de  Barcelona para hacer el álbum. También introduce el color. Además, trabajó 10 años para El País y así supo sacar cosas en color con prueba y ensayo.
Cuando salió el libro con tapa dura y Navarro lo llevaba como una estrella de rock. Cuando presentaron el Wake Up hicieron una parrillada y luego Navarro habló cerca de su estudio sobre los originales de Wake Up, y le ofreció vender en el 2002 por 50 euros cada página. Subí al estudio y me los compró.
Luego hizo "Miedo". Tenía previsto hace tres álbumes. Conoció a David (halo de crítico incorruptible y yo lo veía como estirado) y junto a Antonio le propusieron hacer algo. Se identificó con la historia y el chaval tenía acoso escolar en la época del golpe de Tejero y los padres participando en la manifestación y no atendiendo los problemas de su hijo. Transcurre en un Madrid imaginario de años de los años 80, con ambiente muy feo, todo gris y marrón, con ropa que duraba mucho.
La segunda parte era "Metal". Lo hizo entero pero se sintió inseguro y se cruzó. Está en una libreta pequeña y David le decía que lo acabase. El guión va de Adrian, ya adolescente que se suman al metal.
Luego, recibió un email de una japonesa que le propuso hacer un manga. Se fue a Anguleme pero las editoriales les rechazan el álbum. Finalmente, se lo quedó Soleil y Humanoides.
El manga permite formatos más pequeños, repeticiones y collages, mezclado cosas. Humanoides permitía 40 páginas al mes. Trabajaba la narrativa pero tenía un trato fluido con la guionista aunque había tiras y aflojas con la personaje.  El protagonista de Lolita no sabía quien era y cuando se dio cuenta resulta que el diseño era perralleiro y le tuvo que cortar el pelo.
Dice que es muy caótico pero hizo 125 páginas para Crononautas. Luego, le contrataron como coloreador como un complemento salarial. Luego, le dan otros trabajos en DC. Hacía experimentos en color como cielos en rosa o teñir de azul la página. Le gusta mucho el arte popular.
Un amigo Marcos fue a Marvel y Javier Rodríguez fue detrás. Trabajo con la oficina de Spiderman y le salen trabajos. De rebote hay una portada de Los 4 Fantásticos y lo contrata Allan Davis. Y le ofrecen un contrato en exclusiva de tres años y el pide dos. Era una oferta que no podía rechazar por impagos de Lolita R. Con Marvel hacia 40 páginas de color pero no tenía tiempo material pero no podía dibujsr nada en condiciones. Hubo un momento en que le ayudó Montse. Finalmente, accedió a terminar su trabajo en exclusiva y admite que nunca va a jugar en esa división. Hay que potenciar lo que sabe hacer y no puede competir como autor en hacer perspectivas alucinantes de NYC. A él le gusta cosas más emocionales pero hay que venderle el tema bien al editor.
Un día le ofrecieron hacer dos números de filling 28 y 29 de Dark Devil ( que él ya había colorado). En total hizo seis. Este año dejó de colorear y se puso a dibujar.
Dice que en las clases de cómic no hay que dibujar sino hay que hacer una historieta en tres viñetas y si lo entiende es que hay que entenderlo. El dibujo es secundario, la base es el análisis del lenguaje. O trabajaba con sus alumnos en el tema de la Gestal como que la horizontal representa paz.

Cambios en Marvel.
No entran en temas de anatomía clásica sino que se van a lo sintético. Se ha abierto el juego para intentar seducir dando menos información al lector. La sencillez y manejar silencios hace cosas excitantes y eso es bueno en un tebeo. En el 2000 había sobreinformación que le daban al lector todo masticado y el lector no tenía nada que ver, era muy "ego" del autor. Así lo hablaban Javi, Marcos y él para sintetizar la información.

En la última parte de la charla explicó cómo hizo una doble página de Internet. En la imagen introdujo un Spiderman que atacaba como una máquina y rompía una furgoneta para salvar a su tía. Tuvo ciertas libertades porque el guionista era un colaborador nuevo.
Comentó que poco a poco ha avanzado en ese mundo de Marvel.

AUTORES DE VERTIGO


R.M.Guera 

R.M.Guera, el autor de "Scalped" (una historia policiaca en las reservas indias) explicó su trabajo que definió como "seis años de fiesta" (porque le dio oportunidad de buscar nuevos enfoques en el dibujo, etc..).
Según Carlos Portela, hubo un cambio en los primeros álbumes de la serie, que parecían más convencionales, hasta que la historia arrancó.
En "Scalped" hubo dos escenas problemáticas "y se cambiaron con total confianza con el guionista Jason, del que admiro su trabajo y soy amigo".
Lo problemático de Scalped fue el estilo dominante europeo que chocaba con el americano, que consiste en hacer 22 páginas al mes.
También relató sus primeros tiempos en Serbia donde vivir del comic era difícil. Luego le llamaron de Francia y le dijeron: "Nos gusta tu trabajo".
Dice que la editorial americana Vértigo recibe 5 guiones a la semana y que hacen esfuerzos para mejorar la calidad. "Por eso, a veces los entregaba con retraso", dice, porque al ser europeo le supera el ritmo americano.

Dice que al segundo álbum de Piratas esta parado desde hace seis años pero que le faltan 8 páginas para terminar y que está todo parado.

Luego habló de Scalped y la vida en las reservas indias, "pueblo que se siente abandonado por el resto del país, ha perdido parte de su dignidad y espíritu".  Una India le escribió y dijo que esas páginas hablaban de su juventud y no son un cliché. En las reservas hay inseguridad y abusos a una de cada cuatro mujeres por falta de control policial, ya que los policías están a 100 km.
Y añadió: " No habrá Scalped 2".

Sobre las diferencias de mercado, dice que "en Francia te dejan tiempo para tus páginas pero en Estados Unidos hay mas presión para hacer 22 páginas al mes porque los lectores son fieles y cuentan con ello cada mes".
Añadió que el sentido común es la clave del comic. "Hay que estudiar si la historia se entiende", dijo.

Elogió "Trazo de Tiza" de Miguelanxo Prado que "al igual que los álbumes de Bulberry tienen algo especial, que parece que los personajes se mueven en las páginas".

 

Lista histórica de personajes, historietas y autores de cómic

Fuentes: Dictionnarie de La banda dessinée (Henri Filippini)

Nota: el primer autor es el guionista y el segundo el dibujante. Van separados por una coma.

LETRA A

1- Abbi an'Slats (1937-1971) / Van Buren, Al Capp
2 - Aberzen (2001) / NGuessan
3 - Abîmes du Temps (1992) / Rodolphe, Alain Mounier
4 - Achille Talon (1963) / Greg
5 - Ada (1978) / Altan
6 - Adam (1994) / Brian Basset
7 - Adamson (1920-1965) / Oscar Jacobsson
8 - Adam Strange (1959) / Carmine Infantino
9 - Adèle Blanc-Sec (1976) / Jacques Tardi
10 - Adler (1985) / René Sterne
11 - A.D.N. (2003) / Pierre Makyo y Toldac,  Bruno Rocco
12 - Agent 212 (1975) / Raoul Cauvin, Daniel Kox
13 - Agent 327 (1969) / Martin Lodewijk
14 - Agent Secret X-9 (1934-1997) / Dashiell Hammet, Alex Raymond
15 - Aggie (1946) / Hal Rasmusson
16 - Aigles décapités (1985) / Patrice Pellerin, Jean-Charles Kraehn
17- Ailes du Phaèton (1997) / Didier Tarquin, Serge Fino
18 - Aimé Lacapalle (1999) / Jean-Yves Ferri
19 - Air Hawk (1959) / John Dixon
20- Air Mail (1983-1986) / Attilio Micheluzzi
21 - Akim (1950-1991) / Roberto Renzi,  Augusto Pedrazza
22 - Alack Sinner (1975) / Carlos Sampayo, José Muñoz
23 - Alain la Foudre = Dick Fulmine
24 - Alain Moreau (1984-1987) / Jan Bucquoy, Marc Hernu
25 - Alban (1977) / Dieter, Xavier Fourquemin
26 - Alan Ford (1969) / Max Bunker, Magnus
27 - Albert le lup (1974) / Silver
28 - Al Crane (1976-1977) / Gèrard Lauzier, Alexis
29 -Aldebaran (1994) / Leo
30 - Alef Thau (1982-1998) / Jodorowsky, Arno
31 - Alex et Eurêka (1950-1970) / Guy Hempay, Pierre Brochard
32 - Algernon Woodcok (2002) / Mathieu Gallié, Guillaume Sorel
33- Alix (1948) / Jacques Martin
34 - Alley Oop (1933) / Vicent T. Hamlin
35 - Alpha (1996) / Pascal Renard, Youri Jigounov
36 - Alsjemaarbekend Band (1984) / Evert Geradts
37 - Alvar Mayor (1977-1981) / Carlos Trillo, Enrique Breccia
38 - Alvin Norge (2000) / Chris Lamquet
39 - Amanda (1994) / Robin Wood, Alejandro Falugi
40 - Amigo = Capitán Trueno
41 - Amok (1946-1950) / Phil Anderson, Tony Chan
42 - Ancêtre programmè = Transgenèse
43 - Andy Capp (1957) / Reg Smythe
44 -Andy et Gina (2000) / Relom
45 - Andy Gang (1976-1981) / Chantal Montellier
46 - Angeli del West (1979-1991) / Luciano Giacotto, Renato Polese
47 - Angy (1984-1990) / Chris
48 - An 01 (1970) / Gébé
49 - Apartment 3 G (1961) / Nicholas Dallis et Harold Anderson, Alex Kotzky
50 - Apocalypse Mania (2001) / Louis Frédéric Bollée
51 - Apple Mary (1934) / Mary Orr´
52 - Aquablue (1988) / Thierry Cailleteau, Olivier Vatine
53 - Arabelle (1950-1977) / Jean Ache
54 - Archie (1941) / Bob Montana
55 - Archie Cash (1971-1988) / Jean-Marie Brouyère, Malik
56 - Ardeur (1979-1987) / Daniel Varenne, Alex Varenne
57 -Aria (1979) / Michel Weyland
58 - Ariol (2000) / Emmanuel Guibert, Marc Boutavant
59 - Aristote et ses potes (1978-1995) / Gerrit de Jager
60 - Armalite 16 (1980-1988) / Michel Crespin
61 - Arn (1980-1988) / Jean-Pierre Dionnet, Jean-Claude Gal
62 - Arno (1983) / Jacques Martin, André Juillard
63 - Arsène Lupin (1948) / aprés de Maurice Leblanc, Georges Bourdin
64 - Arthur (1999) / David Chauvel, Jérôme Lereculey
65 - Arthur et Zoé = Nancy
66 - Arthur le fantôme (1953) / Jean Cézard
67 - As (1963-1973) / Studio Greg
68 - Ascension du Haut Mal (1996-2003) / David B
69- As de pique (1954-1949) / Mario Faustinelli, Hugo Pratt
70 - Asterix (1959) / René Goscinny, Albert Uderzo
71 -Atalante (1999) / Didier Crisse
72 - Atom (1940) / Bill O'Connor, Ben Flinton
73 - Attila (1967-1987) / Rosy et Kornblum, Derib
74 - Attila mon amour (1998-2003) / Jean-Yves Mitton, Frank Bonnet
75 - Avengers (1963) / Stan Lee, Jack Kirby
76 - Aventure de l'equipe Cousteau (1985-1998) / Paccalet, Dominique Serafini
77 - Axa (1978) / Donne Avenell, Enrique Romero

LETRA B

78 -Bakelandt (1975) / Daniel Jansens, Hec Leemans
79 -Balade au bout du monde (1981) / Pierre Makyo, Laurent Vicomte
80 -Banni (1982) / Marcel Coucho
81 -Barbarella (1962-1981) / Jean-Claude Forest
82 -Barbe-Rouge (1959) / Jean-Michel Charlier, Victor Hubinon
83 -Barney Baxter (1935-1950) / Frank Miller
84 -Baney Google (1919) / Billy Debeck
85 -Baron et Juju (1963-1972) / Noël Bissot
86 -Baron noir (1976) / Renè Pétillon, Yves Got
87 -Baroudeurs (1976) / Dick Richards, Carry Brugman
88 - Baroudeurs sans frontières (1980-1987) / Charles Jarry
89 - Bastos et Zakousky (1980-1986) / François Corteggiani, Pierre Tranchand
90 - Batman (1939) / Bill Finger, Bob Kane
91 -B.C. (1958) / Johnny Hart
92 - Bébés Disney (1985-1997) / Claude Marin
93 -Bécassine (1905-1962) / Caumery, Joseph-Porphyre Pinchon
94 -Bec-en-fer (1961) / Henriette Robitaillie, Jean-Louis Pesch
95 -Beetle Bailey (1950) / Mort Walker
96 -Belle du ballet (1952) / George Beardmore, John Worsley
97 - Ben Casey (1962-1966) / Jerry Caplin, Neal Adams
98 -Benoît Brisefer (1960) / Peyo
99 - Bernard Lermite (1977) / Martin Veyron
100 -Bernard Prince (1966) / Greg
101 - Bessy (1952) / Wirel
102 -Betty (1954-1960) / Solveg
103 -Bibi Fricotin (1924-1988) / Louis Forton
104 - Bible (Fleurus, Larousse)
105 -Bicot (1920-1997) / Martin Branner
106 - Bidochon (1977) / Christian Binet
107 -Big Ben Bolt (1950-1978) / Elliot Caplin, John Cullen Murphy
108 -Biggles (1960) / Willian Earl Johns, Ronald Embleton
109 -Big Sleeping (1977) / Daniele Panebarco
110 -Bill Jourdan (1956-1961) / Jean Acquaviva, Loys  Pétillot
111- Billy Bis (1965-1981) / Antonio Mancuso, Loredano Ugolini

Billy the Cat (1982) / Stephen Desberg, Stéphane Colman
Bitune (1995) / Michel Vandam, Michel Constant
Bizu (1987-1994) / Jean-Claude Fournier
Blake et Mortimer (1946) / Edgar Pierre Jacobs
Blacksad (2000) / Juan Díaz Canalés, Juanjo Guarnido
Blanche Épiphanie (1967-1985) / Jacques Lob, Georges Pichard
Blason d'Argent (1957-1979) / Guy Hempay, Yves Roy
Bleu lézard (1998) / Benoît Roels
Blondie (1930) / Chic Young
Blondin et Cirage (1939-1963) / Jijé
Bloody Mary (1982) / Jean Vautrin, Jean Teulé
Blotch (1998) / Blutch
Blueberry = Lieutenant Blueberry
Bot et Bobette (1945) / Willy Vandersteen
Bop Flapi (1957-1964) / Andrè Harvec

Bob Mallard (1946-1969) / Henry Boudens, Rémy Bourless
Bob Marone (1983) / Yann, Didier Conrad
Bon Morane (1959) / Henri Vernes, Dino Attanasio
Bobo (1961-1997) / Bélgica / Rosy, Deliége
Bogzzz (2001) / Francia / Nob
Boob Mac Nutt (1915-1934) / EE.UU. / Rube Goldberg
Boskovich (1979) / Bélgica / Antonio Cossu
Boss (1997) / Bélgica / Zidrou, Philippe Bercovici
Boule et Bill (1959) / Bélgica / Roba
Bouncer (2001) / Francia / Alejandro Jodorowsky, François Boucq
Brenda Starr (1940) / EE.UU./ Dale Messick
Brendon (1998) / Italy / Claudio Chiaverotti, Massimo Rotundo
Brick Bradford (1933-1987) / EE.UU. / William Ritt, Clarence Gray
Brik (1947-1972) / Francia / J.K.Melwin-Nash, Jean Cézard
Bringing up father = Famillie Illico
Bristow (1960) / Reino Unido / Frank Dickens
Broom Hilda (1970) / EE.UU. / Russell Myers
Broussaille (1978) / Bélgica / Bom, Frank
Bruce J. Hawker (1976) / Bélgica / William Vance
Bruce Prédator (1981) / Francia / Didier Martigny, Philippe Petit-Roulet
Brunelle et Colin (1977-1988) / Francia / Robert Gènin, François Bourgeon
Bruno Brazil (1967-1983) / Bélgica / Louis Albert, William Vance
Buck Banny (1947) / Bélgica / Jean-Michel Charlier, Victor Hubinon
Buck Rogers (1929-1983) / EE.UU. / Phil Nowlan, Dick Calkins
Buck Ryan (1937-1962) / Reino Unido / Don Freeman, Jack Monk
Buddy Longway (1972) / Bélgica / Derib
Buffalo Bill (1946-1964) / Francia / Anónimo, Renè Giffey
Bugs Bunny (1941) / EE.UU. / Lloyd Turner, Win Smith
Buster Brown (1902-1920) / EE.UU. / Richard F. Outcault
Buz Sawyer (1943-1989) / EE.UU. / Roy Crane

LETRA C

Cactus Club (1994) / Bélgica / François Gilson, Philippe Bercovici
Café de la plage (1977-1980) / Francia / Régis Franc
Calvin et Hobbes (1985-1995) / EE.UU. / Bill Watterson
Canardo (1978) / Bélgica / Benoît Sokal
Capahuchos (1982-1988) / Francia / Philippe Marcelé
Capitaine Apache (1975-1986) / Francia / Roger Lécureux, Norma
Capitaine Cormoran (1947-1968) / Francia / Lucien Nortier
Capitaine Fantôme (1946-1948) / Francia / Marijac, Raymond Cazanave
Capitaine Sabre (1979) / Francia / Gine
Capitan (1963-1971) / Bélgica / Liliane y Fred Funcken
Capitan Erik (1972-1990) / Italia / Claudio Nizzi, Ruggero Glovannini
Capitan Miki (1951) / Italia / Studio Essegesse
Capitan Rogers (1981) / Italia / Giorgio Pezzin, Giorgio Cavazzano
Capitán Trueno (1956) / España / Victor Mora, Ambros
Cappi-Kappie
Capricorne (1997) / Bélgica / Andréas
Captain America (1941) / EE.UU. / Joe Simon, Jack Kirby
Captain Marvel (1940) / EE.UU. / Bill Parker, Charles Clarence Beck
 Cargo (1982) / Bélgica/ Michel Schetter
Carland Cross (1991) / Belgica / Michel Oleffe, Olivier Grenson
Carmen Cru (1983) / Francia / Jean-Marc Lelong
Carnets d'Orient (1986) / Jacques Ferrandez
Carmen Mc Mallun (1995) / Fred Duval y Olivier Vatine, Gess
Carol Day (1956-1975) / Reino Unido / David Wright
Caroline Baldwin (1996) / Bélgica / André Taymans
Casey Ruggles (1949-1954) / Estados Unidos / Warren Tufts
Casseurs (1975-1994) / Bélgica / André-Paul Duchateau, Christian Denayer
Caste des Méta-Barons (1992) / Francia / Alexandro Jodorowsky, Juan Gimenez
Catfish (1973) / Estados Unidos / Gary Paterson, Roger Bollen
Cédric (1987) / Bélgica / Raoul Cauvin, Laudec
Cellulite (1969-1977) / Francia / Claire Bretécher
Ce qui est à nous (1999) / Francia / David Chauvel, Erwin Le Saëc
Champakou (1978) / Francia / Jéranoton
Chances (1985) / Argentina / Horacio Altuna
Chandra, prince roya (1952-1964) / Italia / Antonio Mancuso, Erio Nicolo
Chant des Striges (1977) / Francia / Eric Corbeyran, Richard Guérineau
Chant d'Excalibur (1998) / Francia / Christophe Arleston, Éric Hüsbch
Cha'pa et Group-Group (1956-1965) / Francia / Jean Ollivier, Ramon Monzon
Charlie Chan (1938-1966) / Estados Unidos / Alfred Andriola después de Biggers.
Charlot (1914-1974) / Reino Unido / George Wakefield
Charly (1990) / Bélgica / Denis Lapière, Magda
Chat (1953-1956) / Bélgica / Michel Denys
Chat (1983) / Bélgica / Philippe Geluck
Chemins de Malefosse (1982) / Francia / Daniel Bardet, François Dermaut
Chéri-Bibi (1951-1967) / Francia / Alfred-Gaston Leroux después de Gastón Leroux, Régino Bernard
Chevalier Ardent (1966) / Bélgica / François Craenhals
Chevalier Blanc (1953-1987) / Bélgica / Liliane et Fred Funcken
Chevalier Printemps (1948-1955) / Francia / Jean Trubert
Chevalier Rouge (1959) / Bélgica / Willy Vandersteen después de Leopold Vermeiren, Karel Verschuere
Chevalier Walder (1997) / Bélgica / Jeanine Rahir
Chick Bill (1953) / Bélgica / Tibet
Chimères (2003) / Francia / Thomas Mosdi, Joseph Béhé.
Chinaman (1997) / Francia / Serge Le Tendre, Taduc
Chiamodoro=Chandra Prince Royal
Chlorophyle et Minimum (1955-1988) / Bélgica / Raymond Macherot
Choucas (2001) / Bélgica / Lax
Chouchou (1951-1954) / Francia / Renè Pellos
Chronique de la Maison Le Quéant (1985-1997) / Francia / Daniel Bardet, Patrick Jusseaume
Chroniques de fin de siècle (1982-1988) / Bélgica / Jan Bucquoy, Jacques Santi
Chroniques de la Lune Noire (1989) / Francia / François Froideval, Olivier Ledroit
Chroniques Provinciales (1979-1984) / Francia / Michel Duveneaux
Cirque Jacopo (1978-1983) / Francia / ColetteTournès, Jean-Louis Floc'h
Cisco Kid (1944) / Estados Unidos / Anónimo / Charles A. Voight
Cités obscures (1982) / Bélgica / Benoît Peeters, François Schuiten
Clan Cervelas (1981) / Suiza / Gérald Poussin
Clara de noche (1992) / España / Carlos Trillo y Eduardo Maïcas, Jordi Bernet
Cléo (1982-1993) / Francia / W.G.Colber
Cleopatra (1982) / España / Mique Beltran
Clifton (1959) / Bélgica / Raymond Macherot
Closh (1980) / Francia / Dodo y Ben Radis
Club des Cinq (1982-1987) / Francia / Serge Rosenzweig después de Enid Blyton, Bernard Dufossé
Cocco Bill (1957) / Italia / Benito Jacovitti
Coeurs de Sable (1984) / Francia / Philippe Paringaux, Jacques de Loustal
Cogan (1982-1993) / Francia / Jean Ollivier, Christian Gaty
Colin Colas (1970-1983) / Bélgica / Eddy Ryssack
Colonel X (1947-1954) / Francia / Marijac, Raymond Poïvet
Comanche (1969-2000) / Bélgica / Greg, Hermann
Commissaire Martial (1958-1959) / Francia / François Drall, Jean-Loup
Commissario Spada (II) (1970-1989) / Italia / Gian Luigi Gonano, Gianni de Luca
Compagnons du Crépuscule (1983-1989) / Francia / François Bourgeon
Conan, the Barbarian (1970) / Estados Unidos / Roy Thomas después de Robert E. Howard, Barry Smith
Concobre masqué (1965) / Francia / Kalkus y Nikita Mandryka.
Condor (1978) / Francia / Jean-Pierre Autheman
Connie (1927-1944) / Estados Unidos / Frank Godwin
Contes de Lapin jaune (1981) / Francia / Pierre Guitton
Copains des Tilleuls (1978-2001) / Francia / Jacqueline Cohen, Christine Rohmer
Corentin (1946-1973) / Bélgica / Jacques Melkebeke, Paul Cuvelier
Cori le Moussaillon (1951-1993) / Bélgica / Bob de Moor
Corsaire noir (1954) / Francia / Claude-Henri después de Gustave Aimard.
Corto Maltese (1967) / Italia / Hugo Pratt
Coulisses du pouvoir (1999) / Bélgica / Philippe Richelle, Jean-Yves Delitte
El Coyote (1947) / España / Jose Mallorqui, Francisco Batet




(continuará)